News, analysis and comment - performing arts |
It was a hot time at the beautifully renovated Northcote Town Hall for Midsumma Celebrating Queer Culture. Walking through the handsome courtyard on High Street to the modern West Wing, one enters the pleasant foyer and bar where there are two studio theatres. In Studio Two on Opening Night, 3 February was the WishingWell Productions’ show: A Narrow Time for Angels, The Musical.
It is a raucous musical for the CSI fans among us - or perhaps the Twilight fans. The musical is set in a morgue guarded by two anatomically authentic mannequins – one male and one female. There is a cast of three characters who progressed heroically through a one hour, twenty minute show, which I judged to be longer than necessary to have its fun and tell its story. There are highlights, which if tightened and focused, could create a right rousing mystery musical sketch – like a Carol Burnett episode.
As the show opens, we see Maggie (Caroline Lloyd) whose character is the heart of the piece and Ms Loyd carries this well. She has appeared in most Melbourne based TV shows. Maggie is breaking and entering through the morgue window. We are quickly confronted by her voluptuous and now-dead lover, Bliss (Julianne Donovan).
She is a body on a gurney and soon a wide-eyed ghost moving around constantly. Perhaps this intended to be Blythe Spirit but was more evocative of the Adams family. Soon we all meet Sam (Ruth Katerelos), the lonesome midnight cowgirl of the forensic world, about to perform an autopsy on the body, until she is smitten by the intruder.
There is passion – “you lying bitch, you ripped my heart out”.
There is corny humour – “You can take the girl from Hawthorne but you can’t take the whore from the girl” .
There are references to the Necropolis News, where we learn such facts as “more people are killed by coconuts than by sharks.” Sam has also learned some fascinating stories of how various well-known people died. Example: Tennessee Williams choked to death on a plastic bottle cap.
There are songs, some more successful than others. “They aren’t like you and me” was clever, rhythmic and well delivered. Julianne Donovan also becomes Kiki, the sadistic madame gangster. She delivers a strong song entitled “You Owe me Big Time.” Julianne has found a biting character and her striking singing voice takes on a clarity that is missing in her characterisation as the ghostly lover. There are also good moments of harmony provided by Ruth Katerelos.
Cerise de Gelder has written a lively mystery plot with a clever ending that at this stage needs a sharp editing eye. Clara Pagone and the other talented people involved in this work-in-progress have some good ideas to continue to have fun with! I really liked the title. It could apply to the world right now. And here’s a final quote from the performance – “live dangerously, die beautiful”.
A Narrow Time for Angels: The Musical
by Cerise de Gelder
Northcote Town Hall
West Wing, Studio 2
WishingWell Productions
Fundraisers 4 & 9 Feb
3-14 February
Tues-Sat 8 pm
Sun 5 pm
Remi Messenger: co-founder of five professional theatre companies in America including WHOLE THEATRE (1970-1990) with Olympia Dukakis; extensive acting, directing and teaching credits in America; in Australia since 2003, celebrant, co-creating ceremonies of all kinds with individuals and families; teaching with the International College of Celebrancy.
E: editor@artshub.com.auMatt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.
Astrid Francis 30 Jan 2012
FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.
Marcus Costello 28 Jan 2012
COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.
Suzanne Yanko 28 Jan 2012
MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.
Gareth Beal 28 Jan 2012
DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.
Leanne Minshull 28 Jan 2012
MONA FOMA: tUnE-yArDs delivered a great set as part of Tasmania's MONA FOMA festival, capping off an over-all extraordinary event.
Jessika Steiner 25 Jan 2012
SYDNEY FESTIVAL: Simple yet beautiful, Amiina's soundscapes created for film-maker Lotte Reiniger's shadow puppet fairytales take audiences on a journey of escapism.
Bernadette Burke 28 Jan 2012
EMI: Elizabeth Harper’s debut under the name Class Actress, Rapproacher is a catchy, fun party spinner perfectly suited to being pulled apart and remixed in a hundred different ways.
Astrid Francis 25 Jan 2012
FRINGE WORLD: A program of small-scale theatre, dance and live-art, Proximity is for those who like the idea of being the performance, not just watching it.
Aleksia Barron 24 Jan 2012
MIDSUMMA: Michael Griffiths brings new meaning to Madonna's songs in a show that unites its audiences in joy.
Leanne Minshull 24 Jan 2012
MONA FOMA: Although PJ Harvey played a characteristally excellent set at PW1, the bane of short folk attending gigs everywhere - the backs of taller people's heads - detracted from the overall experience.