News, analysis and comment - performing arts 

A Dinner to Die For: Melbourne International Comedy Festival

By Revelly Robinson artsHub | Monday, April 27, 2009

A Dinner To Die For: Melbourne International Comedy Festival  

A Dinner to Die For: Melbourne International Comedy Festival

Dazzling with the decadence of year 1928, the Retreat Hotel's interactive theatre show A Dinner to Die For is pure fun. As the guests arrive at the Daventry family manor to celebrate Lord Quinten’s birthday, suspicions abound when it becomes apparent that some of the arrivals are harbouring ulterior motives. When one of the guests is found dead at the bottom of the stairs, it’s not long before accusations are unleashed. What ensues is a riotous night of hilarious whodunit designed to turn anyone into a sleuth.

Facing unbridled debts, Lord Quinten (David Gould) deviously proposes to the lacklustre but wealthy Fanny Farquar (Leonie White) in an unashamed bid for her substantial fortune. In doing so he upsets the officious Captain Montague (Richard Cotzabuyucas) who carries a flame for Fanny, but never seized the opportunity to act upon his emotions—until perhaps tonight. Also part of celebrations is Uncle Bernie (Simon J. Robinson), whose reputation as a cad during his time in military service leads one to wonder who his mysterious partner in a carnal dalliance was. The uninvited entrance of clairvoyant Gwendella Garavinah (Annie MacDonald) certainly rubs Uncle Bernie up the wrong way; when the clairvoyant sees something unsettling in the waters, the scene is set for a night of extreme commotion. The bonking from behind of Gertrude Glossop (Sue Miles) starts off the series of strange events for the night and as the evening eventuates other guests also become victims. Eventually, with the arrival of the intuitive Nanny Maude and her keen detective skills, the truth behind the carnage is revealed.

With the odd smatterings of group sing-a-longs thrown in and a spiritual hand-holding moment bringing the whole room together, the evening is packed with enough drama, innuendo and intrigue to keep everyone entertained. Budding investigators will be on high alert as there are more than enough clues to keep guests guessing. The drama is also well-paced with just enough time allowed for people to finish each course before being captivated by the next chapter in the saga.

The production caters for around thirty or so people and patrons are assigned a character a few days prior to the performance. With individuals being given artistic licence to interpret their character as they like, it is often hard to differentiate between the guests and the cast. The crew perform each of their roles with unbridled enthusiasm, a difficult feat considering that each member is assigned a table to entertain for the evening and manage to stay in character throughout. The cast were amiable and happy to stay back to chat to after the show, which added that extra touch of intimacy to the small scale production.

The wonderfully period Retreat Hotel is the perfect venue for the performance, although the dining room is a tad small, which may have prevented the mingling of the guests and made the viewing of the action a bit difficult at times.

A Dinner to Die For is a great excuse to dress up, embrace an alternative persona and delve into the wonderful world of pretend.

A Dinner to Die For: Melbourne International Comedy Festival

Venue: The Retreat Hotel, 226 Nicholson Street, Abbotsford, VIC
When: Saturday 4th, 18th or 25th April, June 13, 2009
From: 7.30pm
Dinner & Show $80 pp

Revelly Robinson

Revelly Robinson is a reviewer, playwright and blogger who has an avid interest in promoting emerging talent and fresh ideas. Revelly is passionate about all things theatrical and enjoys being entertained by original and quirky productions. Revelly has lived in several cities throughout Australia but is now based in Melbourne and contributes regularly to the vibrant cultural scene of the city.

E: editor@artshub.com.au

Related news

Jane Austen is Dead

Jane Austen is Dead

Liza Dezfouli 22 May 2012

THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.

Wheyface

Wheyface

Nicole Eckersley 22 May 2012

NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.

A Return to the Trees

A Return to the Trees

Lynne Lancaster 22 May 2012

CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.

Crushed

Crushed

Chard Core 22 May 2012

THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.

Uncle Vanya

Uncle Vanya

Aleksia Barron 22 May 2012

FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.

Sammy J and Randy – The Inheritance

Sammy J and Randy – The Inheritance

Nerida Dickinson 22 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.

Henry IV Part One

Henry IV Part One

Rebecca Butterworth 22 May 2012

THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.

Liberate Yourself From My Vice-Like Grip!!!

Liberate Yourself From My Vice-Like Grip!!!

Richard Watts 22 May 2012

NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.

Melbourne Chamber Orchestra: Aria

Melbourne Chamber Orchestra: Aria

Suzanne Yanko 21 May 2012

MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.

120 Birds

120 Birds

Nicole Murphy 21 May 2012

STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.

Haven

Haven

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.

This is Kansas City

This is Kansas City

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...

Dave Callan

Dave Callan

Chloe Papas 21 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.

The Laramie Project – 10 Years Later

The Laramie Project – 10 Years Later

Melanie Burge 21 May 2012

ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.

The Magic Hour

The Magic Hour

Astrid Francis 21 May 2012

DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.

I (Honestly) Love You

I (Honestly) Love You

Chloe Papas 21 May 2012

BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.

Demain L’Aurore

Demain L’Aurore

Flloyd Kennedy 21 May 2012

ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.

John Robertson – The Old Whore

John Robertson – The Old Whore

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.

Jennifer Wong - Ouch & other words

Jennifer Wong - Ouch & other words

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.

Werzel Montague – The Mental-est

Werzel Montague – The Mental-est

Nerida Dickinson 20 May 2012

PERTH INERNATIONAL COMEDY FESTIVAL: A tightly scripted exploration of ideas, navigating deep waters with a most jovial pilot at the helm.