News, analysis and comment - museums & libraries 

THEATRE REVIEW

By Cecilia Mitchell ArtsHub | Monday, October 06, 2008

  

The result of two years research for a creative writing Masters thesis, the script of Fringe Festival play Hitlerhoff is brilliant; packed with one-liners, discomforting holocaust jokes, pop culture references (Dr Phil cliché ‘follow your dreams’ and the best of John Williams’ film scores) and literati send-ups (Waiting for Godot becomes a trilogy; Godot Returns and Godot Strikes Back).

Writer Tom Doig merges the personas of Adolf Hitler and David Hasslehoff to create a character so grotesque and bizarre you will laugh out loud and cringe with disgust.

The title role is played with incredible energy and commitment by Tobias Manderson-Galvin who takes the character from his upbringing as an aspiring actor by a doting yet insipid mother and a father who calls him ‘a homo-thespian in leather panties’ through a series of increasingly hysterical attempts to give expression to his extreme egoism and misunderstood artistic genius.

Supporting Manderson-Galvin are Simone Page Jones and Ezra Bix, both excellent. Bix delivers the funniest moment of the play with a sidesplitting portrayal of the Artistique Director of Julliard who after an unsuccessful audition calls Hitlerhoff a philistine and implores him never to perform in public, ever. Hitlerhoff is crushed again and again.

Taunted by his nemesis, The Red Tide (of Communism) he is told that his jokes are not funny, his irony not clever and his homophobia and sexism revealing of infantile Oedipal tendencies. Humiliated but undeterred, Hitlerhoff’s desire for fame and glory turns to resentment and rage.

Exploring themes of mass hysteria, propoganda and consumer culture, Hitlerhoff plays on the danger and ridiculousness of the human desire to be ‘special’ and ‘make a difference’. Images of the actual ‘special treatment’ experienced by six million Jews during the Second World War juxtaposed with the raucous antics of a cast in Baywatch swimsuits makes for chilling and thought-provoking satire.

Performances nightly from Tue 7th – Saturday 11th October, 10:15pm at North Melbourne Town Hall. Log on to www.hitlerhoff.com for details.
www.melbournefringe.com.au or phone (03)9658 9658

Cecilia Mitchell

Cecilia Mitchell is Editor in Chief of Right Now - Human Rights Law in Australia Magazine. She holds a Bachelor of Arts and a Bachelor of Music and is currently studying a Juris Doctor at The University of Melbourne.

E: editor@artshub.com.au
W: http://www.rightnow.org.au

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