News, analysis and comment - film/tv/radio |
This lovely, drifting film follows a young, introverted gay man, Russell (Tom Cullen), over the weekend he meets Glen (Chris New), an outgoing, aspiring artist.
The plot of Weekend might be a bit of a gentle and well-used trope, but it's an admirable demonstration of the fact that it's always possible to find new material to explore within a trope. While describing that trope might make for an interesting review, I think it's better to allow the film's story to reveal itself: suffice to say it's an old story.
With just a hint of full-frontal nudity in the first ten seconds of the film, this isn't for the prudish. But, though it isn't shy, the sex is handled (for the most part) with a straightforward, unceremonious attitude that blends it well with the more dialogue-heavy parts of the film. (The same is not true of the camerawork, which is all angled just so, to keep the explicit action an inch out of view.)
Set in Nottingham, the film’s director and writer Andrew Haigh manages to portray a distinct sense of the everyday discomfort the outside world brings to his main character, Russell, in contrast to the brash fearlessness of Glen. Leisurely shots of security cameras, disinterested teens and dark spaces contrast sharply with Russell's cosy retro flat and well-loved furniture, while the handheld shots, aimed between strangers, give a sense of voyeurism where Haigh wants it.
The dialogue is elegant and tightly written, swinging between intense, insightful and very funny, and casually swooping through musings on one-night stands, coming-out stories, cheating, gay bashing and the lead characters' own beautifully-developed stories.
It's possible that Weekend may fall prey to the very dilemma faced by the artwork of its main character, Glen: a work that prominently features gay sex risks being dismissed by the mainstream, and reduced to titillation by the queer community. That would be a pity, since Weekend is a thoroughly sweet (and more than occasionally twee) love story, which just happens to be full of boys pashing. It's the kind of film that would be ideal for a first date, assuming that first date is not with a homophobe. (Perhaps it is still ideal, in that it would weed the homophobes straight out, off the bat.) This is a lovely little film, and I recommend it highly.
Rating: 4.5 out of 5 stars
Weekend
Director: Andrew Haigh
UK, 2011, 97 mins
Distributor: Rialto
Rated MA
In cinemas Thursday January 26, 2012
Melanie Burge 23 May 2012
SHARMILL FILMS: Hosted by Ira Glass, a live concert version of this much-loved public radio program is about to screen in selected Australian cinemas.
Sarah Ward 21 May 2012
ICON: This subtle Russian drama is a poetic, poignant meditation on mortality, finality and farewells.
Leo Ribeiro 18 May 2012
MADMAN: This is not a film is an elegantly defiant must-see video diary from censored Iranian filmmaker Jafar Panahi, now avaliable on DVD.
Beth Anderson 18 May 2012
ICON HOME ENTERTAINMENT: Stephan Elliot’s latest film goes beyond slapstick and farce to the dangerous territory of slapdash; it’s forced, unfunny and painfully exaggerated.
Sarah Ward 18 May 2012
ROADSHOW: Hammer Films return to their gothic format of old with this eerie tale of ghosts and grief starring Daniel Radcliffe.
Susanna Nelson 16 May 2012
MADMAN DVD: The latest film from auteur Lars von Trier is a fluent essay on the human mind – what frees it, what troubles it, what paralyses it.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: A compelling documentary exploring the lives of young Thais who work as Muay Thai fighters on the controversial children’s circuit.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: The winner of two Goya Awards, this gentle gem of a film is a carefully considered depiction of one man’s struggle with Alzheimer’s.
Paul Mitchell 15 May 2012
MADMAN: Through the story of one man’s remarkable passion for creativity, this riveting documentary gets to the heart of fashion’s place in the human story.
Sarah Ward 14 May 2012
HUMAN RIGHTS ARTS AND FILM FESTIVAL: Documentarian Joe Berlinger examines the furore around Paul Simon's album ‘Graceland’, recorded in South Africa at the height of apartheid.
Sarah Ward 14 May 2012
ANTIDOTE FILMS: Though not up to the standard of his best work, the latest film from Australian director John Duigan illustrates his penchant for finding poignancy in difficult topics.
Liza Dezfouli 14 May 2012
MADMAN: An interconnected trilogy of tales, Giovanni Veronisi’s romantic drama was the smash hit of the 2011 Lavazza Italian Film Festival.
Sarah Ward 11 May 2012
SECOND NATURE FILMS: This distinctly one-sided documentary examines the popularity of yoga – formerly a male discipline – amongst women worldwide.
Beth Anderson 11 May 2012
ABC DVD/ROADSHOW: In space, no-one can hear you squeal. A six-part comedy series about a gay science fiction fan club and the lives, loves, and never-ending dramas of its five members.
Lee Zachariah 11 May 2012
ICON: A bold trio of films about love and loss from acclaimed director Krzysztof Kieslowski, now available as a DVD box set.
Sarah Ward 9 May 2012
ROADSHOW: In his latest film, a remake of a cult US TV series from the 1960’s, director Tim Burton is once again painting by numbers.
Nicole Eckersley 9 May 2012
MADMAN DVD: A behind-the-scenes look into the kitchen of three Michelin-starred chef Ferran Adrià, widely considered the best, most innovative and craziest chef in the world.
Elspeth McIntosh 8 May 2012
MADMAN: A gripping, political thriller that examines the origins of the Middle East conflict in events that took place under British rule 60 years ago.
Sarah Ward 8 May 2012
MADMAN: The latest film from eclectic director Michael Winterbottom is a contemporary update of a Thomas Hardy novel, set in India.
Sarah Ward 8 May 2012
CURIOUS FILMS: A documentary about the world’s greatest sushi chef hardly sounds like compelling viewing, but that’s exactly what this film is; a cinematic, gastronomic treat.