The Artist

Whilst synchronised sound is now a standard part of the cinematic experience, this was not always the case. Accordingly, film emerged as a silent rather than audio-visual medium during its first 30 years, with live musicians providing aural accompaniment during screenings. The Jazz Singer marked the beginning of the sound era, featuring dialogue and singing to become regarded as the first talking picture. Within a few short years, talkies had replaced silent features as the most common format, sparking a new phase for movie makers and viewers.

Almost a century later, the film industry has again embraced silent movies. In his fourth feature outing, writer/director Michel Hazanavicius (best known for the OSS 117 spy spoof series) revisits the golden years of the movies in the soundless celebration that is The Artist. Awards acclaim has followed, with patrons and pundits enjoying the memories of early Hollywood. Indeed, novelty and nostalgia proves a winning combination for the effort as it charts the demise of the very medium it champions.

The year is 1927, and the man of the moment is George Valentin (Jean Dujardin, Little White Lies). At the premiere of his latest film, he crosses paths with aspiring actress Peppy Miller (Bérénice Bejo, Modern Love), with the waiting paparazzi watching their every move. Valentin helps Miller secure her first role, to the dismay of his jealous wife (Penelope Ann Miller, The Deal) and reluctant studio boss (John Goodman, Red State). As the years pass, their careers follow opposing trajectories, as Valentin struggles with the advent of sound, and Miller works her way up from supporting player to talkie sweetheart.

Contemporary cinema is currently revelling in the reminiscent spirit, with Midnight in Paris, Hugo and now The Artist attracting attention. Thankfully, each has proven worthy of wistful adoration, including Hazanavicius’ ode to the medium. Overcoming a slight storyline, it crafts a joyful homage to film as an art form, whilst making a statement on of the importance of innovation. More than a mere gimmick, the silent, black & white nature of the feature is essential to its tender tale and moving message.

With captivating turns from Oscar contenders Dujardin and Bejo – as well as the former’s cute canine companion Uggie – The Artist captures the essence of movie magic. Boasting an assured amalgamation of comedy and drama, and a beguiling energy that transcends its silent standing, it is a rightful instant classic.

Rating: 4.5

The Artist
Director: Michel Hazanavicius
France, 2011, 100 min

Distributor: Roadshow
Rated: PG
In cinemas Thursday February 2nd, 2012