News, analysis and comment - film/tv/radio |
Director Cédric Kahn, faces infidelity in his own way, in this romantic thriller Les Regrets, presented at the French Film Festival 2010.
Mathieu Lievin (Yvan Attal) is a 40-year-old architect living in Paris. He is a married man and is working together with his comitted wife at their small architecture firm. When he is notified that his mother has been hospitalised, seriously ill and in a coma, he makes a hasty return to the provincial town in the south of France to be by her side, alone. Facing the difficulties with his mother’s condition by himself, he by chance reencounters with Maya (Valéria Bruni-Tedeschi), his childhood sweetheart whom he hasn’t seen for 15 years. Maya is with her daughter and a man, at their first sighting in the street. Surprised by seeing one another again after such a a long time, they don’t speak at this first reencounter. Mathieu makes his way to his mother’s home (which is where he spent his childhood) and begins to organize for his brother’s arrival, who is coming from overseas, and coming to see their mother one last time. That evening, the telephone rings and it is Maya calling. She invites Mathieu over, and after some hesitation he desides to accept her offer and meets with her at her house. This is the beginning of a complicated, irrational and destructive love affair.
Soon after returning to Paris, Mathieu remains in contact with Maya by phone. He travels back to his home town and meets with Maya again. Mathieu becomes more and more detached and distant from his wife and the life they share; she struggles with their business and to understand her husband’s sudden change of character. Seeing Maya over and over again evolves their relationship, but drives him further away from reality.
Les Regrets is not a traditional love story, it is not a gloryfying love production. It is an exploration of obsession and desires between two individuals as well as the desire of finding answers. It is a movie that makes you feel and makes you participate in the emotions in either way. Les Regrets does not romanticise nor does it hide feelings of desires, pain and desperation. These are shown in their naked truth of emotional expression. The storyline is a bit average, but what makes the movie worth watching is the combination of performance, cinematography and the music that all together create and build this interesting movie. What is hard to picture though, is the unbearable desire Mathieu has for Maya, whose character is rather plain and uninteresting. Valeria Bruni Tedeschi´s performance is at times good, but her role is not very interesting or attractive. It is hard to understand what there is in his desire for her that makes him go completely irrational and slighly out of his mind. Most of the time Yvan Attal´s performance is excellent, and it is his performance which dominates in this. The story does tend to be a little overexaggerated at times, but as mentioned before... the combination of performances allow the viewer to follow it from the start to the very end.
Cédric Khan is an excellent filmmaker. He started out his career as an assistant editor, and then graduated to his own main film debut as a director in (1992), with the small-town drama Bar des rails. Already in his early productions he was recognised for his unusual, eccentric structure and in-depth photography. Cédric Kahn´s earlier known productions consist of the movies Lénnui (1998) from the Alberto Moravia novel Boredom, Feux Rouges (2004), from the Georges Simenon novel, and the true story of a serial killer directed by Kahn in the movie Roberto Succo (2001), which was presented at the Cannes Film Festival (2001).
Yvan Attal (born 4 January 1965) playing the role of Mathieu is a French actor and director who grew up in suburbian Paris. His acting debut was in Un monde sans pitié (1989), for which he was awarded the César Award for Most Promising Actor. He acted in the movie The Intepreter, and Anthony Zimmer. He was also in Rush Hour 3 as the taxi driver George. He has been the dubbed voice for Tom Cruise in the French versions of the movies: Eyes Wide Shut (1999), Mission: Impossible II (2000) and Vanilla sky (2001). Valeria Bruni Tedeschi (born 16 November 1964) who plays the role of Maya is an Italian-French actress and director born in Turin. Valeria Bruni Tedeschi has acted in several internationally acclaimed films, such as If I were a rich man (2002), Ten Minutes Older: The Cello (2004), Time to Leave (2005), Munich (2005) and Good Year (2006). She has won awards as a director for her debut film Il est plus facile pour un chameau in Tribeca Film Festival (2003) and Ankara Flying Boom Women’s Film Festival (2004). She also won the Prix Spécial du Jury at the Cannes film festival in (2007) for her directing of Actrices.
The cinematography by Celine Bozon in Les Regrets is vivid and the feeling of the environment is distinctly translated through the film. The movie takes the viewer on a pictorial and emotional journey from one moment to another. There is an expectation built up from one scene to the next in this brilliant performance of filmmaking and acting.
Composer and Pianist Philip Glass has made it so that the soundtrack highlights feelings, and enhances the emotions played and performed by the lead characters. Glass is a minimalist and refers to his compositions as ’music with repetitive structures’. Glass has created operas, symphonies, film scores, concertos and music for piano solos. He has been nominated for three Academy Awards and won a Golden Globe Award for his work on The Truman show. Glass’ music in "Les Regrets" is very capturing and enhances the emotional experience in the film.
Les Regrets (Regrets): The Alliance Francaise French Film Festival 2010
By Ulrika Wickes
Directed by: Cédric Kahn
Producer: Kristina Larsen, Gilles Sandoz
Editor: Yann Dedet
Screenwriter: Cedric Kahn
Cinematographer: Celine Bozon
Music: Philip Glass
Cast: Yvan Attal, Valéria Bruni-Tedeschi, Arly Jover
The Alliance Francaise French Film Festival 2010
The season for The Alliance Francaise French Film Festival in Australia is between the 2-31 of March depending on location. For information on specific dates and location, please visit the official French Film Festival website.
The Alliance Francaise French Film festival 2010 is being presented Australia wide. The Festival is in its 21st year and has over the years evolved and grown; last year more than 80,000 spectactors attended screenings of films featured by the French Festival. This year 43 films are presented in many different categories.
Ulrika Wickes is living in Melbourne, enjoys Photograpy and writes for artsHub.com.au.
E: editor@artshub.com.auSarah Ward 21 May 2012
ICON: This subtle Russian drama is a poetic, poignant meditation on mortality, finality and farewells.
Leo Ribeiro 18 May 2012
MADMAN: This is not a film is an elegantly defiant must-see video diary from censored Iranian filmmaker Jafar Panahi, now avaliable on DVD.
Beth Anderson 18 May 2012
ICON HOME ENTERTAINMENT: Stephan Elliot’s latest film goes beyond slapstick and farce to the dangerous territory of slapdash; it’s forced, unfunny and painfully exaggerated.
Sarah Ward 18 May 2012
ROADSHOW: Hammer Films return to their gothic format of old with this eerie tale of ghosts and grief starring Daniel Radcliffe.
Susanna Nelson 16 May 2012
MADMAN DVD: The latest film from auteur Lars von Trier is a fluent essay on the human mind – what frees it, what troubles it, what paralyses it.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: A compelling documentary exploring the lives of young Thais who work as Muay Thai fighters on the controversial children’s circuit.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: The winner of two Goya Awards, this gentle gem of a film is a carefully considered depiction of one man’s struggle with Alzheimer’s.
Paul Mitchell 15 May 2012
MADMAN: Through the story of one man’s remarkable passion for creativity, this riveting documentary gets to the heart of fashion’s place in the human story.
Sarah Ward 14 May 2012
HUMAN RIGHTS ARTS AND FILM FESTIVAL: Documentarian Joe Berlinger examines the furore around Paul Simon's album ‘Graceland’, recorded in South Africa at the height of apartheid.
Sarah Ward 14 May 2012
ANTIDOTE FILMS: Though not up to the standard of his best work, the latest film from Australian director John Duigan illustrates his penchant for finding poignancy in difficult topics.
Liza Dezfouli 14 May 2012
MADMAN: An interconnected trilogy of tales, Giovanni Veronisi’s romantic drama was the smash hit of the 2011 Lavazza Italian Film Festival.
Sarah Ward 11 May 2012
SECOND NATURE FILMS: This distinctly one-sided documentary examines the popularity of yoga – formerly a male discipline – amongst women worldwide.
Beth Anderson 11 May 2012
ABC DVD/ROADSHOW: In space, no-one can hear you squeal. A six-part comedy series about a gay science fiction fan club and the lives, loves, and never-ending dramas of its five members.
Lee Zachariah 11 May 2012
ICON: A bold trio of films about love and loss from acclaimed director Krzysztof Kieslowski, now available as a DVD box set.
Sarah Ward 9 May 2012
ROADSHOW: In his latest film, a remake of a cult US TV series from the 1960’s, director Tim Burton is once again painting by numbers.
Nicole Eckersley 9 May 2012
MADMAN DVD: A behind-the-scenes look into the kitchen of three Michelin-starred chef Ferran Adrià, widely considered the best, most innovative and craziest chef in the world.
Elspeth McIntosh 8 May 2012
MADMAN: A gripping, political thriller that examines the origins of the Middle East conflict in events that took place under British rule 60 years ago.
Sarah Ward 8 May 2012
MADMAN: The latest film from eclectic director Michael Winterbottom is a contemporary update of a Thomas Hardy novel, set in India.
Sarah Ward 8 May 2012
CURIOUS FILMS: A documentary about the world’s greatest sushi chef hardly sounds like compelling viewing, but that’s exactly what this film is; a cinematic, gastronomic treat.
Leon Marvell 4 May 2012
MADMAN: This five-part documentary series, now available on DVD, is a somewhat rushed guide to the film industries of China, Taiwan, South Korea, India and Iran.