News, analysis and comment - film/tv/radio |
Alphas are mutants. People who have extraordinary abilities that set them apart from – and, in some eyes, above – the rest of humanity. That’s the basic premise of this US sci-fi series premiering in Australia on Friday night. It follows a long line of such shows and if you’ve seen one you know what to expect.
These mutants are more subtle than those in Heroes, whose black & white dichotomies were drawn straight from comic books; they are more three-dimensional than the titular family in No Ordinary Family; they are more relatable than the time-travelling abductees of The 4400. They are no way near as interesting as the ASBO-shackled teens of Misfits. It’s telling that the show was created by the people behind X-Men: The Last Stand)
David Strathairn (slumming it after L.A. Confidential andGood Night, and Good Luck) plays Dr Lee Rosen, a professor who specialises in studying these super-powered Alphas, and who heads a government-sponsored crime-fighting team of them. His team includes Bill (Malik Yoba), a former FBI agent who can summon superhuman strength when his ‘fight or flight’ response is activated; Nina (Laura Mennell), who can persuade the weak-minded to do her bidding, Yoda-style; Rachel (Azita Ghanizada), who seems to be a human forensic analysis machine thanks to her synaesthesia; and Gary (Ryan Cartwright), an autistic dude who can read and control electro-magnetic wavelengths.
During the first episode we meet a future member of the team, Cameron (Warren Christie), a former Marine sniper whose hyperkinesthesis gives him super-sized reflexes and perfect aim.
It’s all generally par for the course, and it takes itself pretty seriously. Hence, the promise for the show lies in its characterisations. Cartwright, in particular, brings a compassionate conviction – for the style of show it is – to his portrayal of someone afflicted with autism, albeit one with super powers. That his powers seem the end result of drawing to their (il)logical conclusion the natural abilities of many autistics helps. Mennell, meanwhile, revels in the selfishness her powers allow her, but she’s not a bad person, just a human one. Souped up. And Strathairn is perfectly believable as the caring professor, but it’s a by-the-numbers role for the most part.
It’s not groundbreaking science fiction but for what it is, Alphas is fine.
Rating: 2.5 out of 5 stars
Alphas
Premiering Friday February 3
Sci-Fi, 9.30pm
Melanie Sheridan is a Melbourne-based reviewer for Arts Hub. Formerly the Arts Editor at Beat magazine and currently the co-editor of the newsletter of the Society of Editors (Victoria), she tweets inanities under the name @mellygoround.
Melanie Burge 23 May 2012
SHARMILL FILMS: Hosted by Ira Glass, a live concert version of this much-loved public radio program is about to screen in selected Australian cinemas.
Sarah Ward 21 May 2012
ICON: This subtle Russian drama is a poetic, poignant meditation on mortality, finality and farewells.
Leo Ribeiro 18 May 2012
MADMAN: This is not a film is an elegantly defiant must-see video diary from censored Iranian filmmaker Jafar Panahi, now avaliable on DVD.
Beth Anderson 18 May 2012
ICON HOME ENTERTAINMENT: Stephan Elliot’s latest film goes beyond slapstick and farce to the dangerous territory of slapdash; it’s forced, unfunny and painfully exaggerated.
Sarah Ward 18 May 2012
ROADSHOW: Hammer Films return to their gothic format of old with this eerie tale of ghosts and grief starring Daniel Radcliffe.
Susanna Nelson 16 May 2012
MADMAN DVD: The latest film from auteur Lars von Trier is a fluent essay on the human mind – what frees it, what troubles it, what paralyses it.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: A compelling documentary exploring the lives of young Thais who work as Muay Thai fighters on the controversial children’s circuit.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: The winner of two Goya Awards, this gentle gem of a film is a carefully considered depiction of one man’s struggle with Alzheimer’s.
Paul Mitchell 15 May 2012
MADMAN: Through the story of one man’s remarkable passion for creativity, this riveting documentary gets to the heart of fashion’s place in the human story.
Sarah Ward 14 May 2012
HUMAN RIGHTS ARTS AND FILM FESTIVAL: Documentarian Joe Berlinger examines the furore around Paul Simon's album ‘Graceland’, recorded in South Africa at the height of apartheid.
Sarah Ward 14 May 2012
ANTIDOTE FILMS: Though not up to the standard of his best work, the latest film from Australian director John Duigan illustrates his penchant for finding poignancy in difficult topics.
Liza Dezfouli 14 May 2012
MADMAN: An interconnected trilogy of tales, Giovanni Veronisi’s romantic drama was the smash hit of the 2011 Lavazza Italian Film Festival.
Sarah Ward 11 May 2012
SECOND NATURE FILMS: This distinctly one-sided documentary examines the popularity of yoga – formerly a male discipline – amongst women worldwide.
Beth Anderson 11 May 2012
ABC DVD/ROADSHOW: In space, no-one can hear you squeal. A six-part comedy series about a gay science fiction fan club and the lives, loves, and never-ending dramas of its five members.
Lee Zachariah 11 May 2012
ICON: A bold trio of films about love and loss from acclaimed director Krzysztof Kieslowski, now available as a DVD box set.
Sarah Ward 9 May 2012
ROADSHOW: In his latest film, a remake of a cult US TV series from the 1960’s, director Tim Burton is once again painting by numbers.
Nicole Eckersley 9 May 2012
MADMAN DVD: A behind-the-scenes look into the kitchen of three Michelin-starred chef Ferran Adrià, widely considered the best, most innovative and craziest chef in the world.
Elspeth McIntosh 8 May 2012
MADMAN: A gripping, political thriller that examines the origins of the Middle East conflict in events that took place under British rule 60 years ago.
Sarah Ward 8 May 2012
MADMAN: The latest film from eclectic director Michael Winterbottom is a contemporary update of a Thomas Hardy novel, set in India.
Sarah Ward 8 May 2012
CURIOUS FILMS: A documentary about the world’s greatest sushi chef hardly sounds like compelling viewing, but that’s exactly what this film is; a cinematic, gastronomic treat.