News, analysis and comment - visual arts |
Jarrod Rawlins, Owner and Director of Uplands Gallery Melbourne says "I got into the art world because of it's complexities".
What did you want to be when you grew up?
A professional Skateboarder.
What did you become?
An art dealer, writer, critic.
What's your official title?
Art dealer, writer, critic.
What's your background - how did you end up here?
I wish I knew.
How would you describe your work to a complete stranger?
I don't make artwork, but as for my writing I would say it is aggressive and confrontational.
What's the first thing career related you usually do each day?
Shower
Can you describe an "average" working day for you?
Shower, eat, email, more email, open the mail, write email, lunch, photograph something and email it to someone, research a writing idea, complain about the art world to someone, more email, abuse my computer, walk the dog (sometimes), email, cook, email, read or tv, bed.
Who or what in the arts world most inspires you?
My wife, artists, in that order.
What's the toughest challenge you've dealt with on the job?
Business partners death.
What's the best piece of advice you were ever given for your career?
Nothing of note, I try not to get advice from other people, I feel confident enough to make my own assessments. most advice consists of incredibly bad cliches.
What are the top three skills you need in your particular role?
An ability to spend many hours writing emails. A desire to make as little money as possible. Patience is the most important, the art world requires massive amounts of patience. The impatient will become bitter and disappear.
What's the best thing about your job?
Everything.
And the worst?
Nothing.
If you had to sum your working life in a word or phrase, what would it be?
An excellent adventure.
Tell us something unique about your gallery in 300 words or less.
Everything about our gallery is unique, it would be unfair to try and list them all in 300 words. I suppose for me one of the most unique elements is our desire and focus to engage with intellectual pursuits as equally as any other aspect of making and exhibiting contemporary art. We really value the ability to articulate yourself in a concise and confident way, this only enhances the art. We are not afraid to embrace a complex idea or a convoluted way of explaining something. I got into the art world because of its complexities so to try and remove those complexes and reduce something to mere object production just makes me feel stupid. Perhaps that is unique?
Bianca Rohlje 25 Jan 2012
MIDSUMMA: American performance artist Martha McDonald hosts song tours of the Maribyrnong River aboard the HMS Blackbird, before transporting audience members to the associated exhibition.
Louise O'Neil 14 Jan 2012
QPAC: Corresponding with the current production of Mary Poppins, this Brisbane-ony exhibition on its creator is entertaining for fans and newbies alike.
Louise O'Neil 7 Jan 2012
QAC: Combining melancholy and mastery, Eugene von Guérard's colonial paintings on display at the Queensland Art Gallery show viewers the beauty of the Australian landscape.
ArtsHub 20 Dec 2011
OFF THE KERB: An eerily coherent group show exploring notions of the collective unconscious, The Collective is evocative and exactly hits its mark.
Sarah Braybrooke 17 Dec 2011
GOETHE INSTITUT: In association with Wilfried Brenne Architects, the Goethe-Institut Australien, Melbourne, is hosting this exhibition on little-known modernist architect Bruno Taut.
Louise O'Neil 10 Dec 2011
GOMA: Curated exclusively for GOMA, this exhibition brings together works from international, national and private collections to explore the range and depth of Matisse’s engagement with the graphic mark.
Lana Howe 3 Dec 2011
MRA GALLERY: Lynn Smith’s photographic exhibition Echoes of Myself is built on the desolate: urban landscapes, abandoned warehouses and beaten up shops, bathed in lamp and neon lights.
Louise O'Neil 26 Nov 2011
GOMA: A celebration of Australian art benefacted by James C. Sourris, this exhibition features exceptional works by Judy Watson, Vernon Ah Kee and Bill Henson, among others.
Louise O'Neil 25 Nov 2011
GOMA: Recalling the hallucinatory whimsy of Alice in Wonderland, 'Look Now, See Forever' showcases two years of polka dot-obsessed Japanese artist Yayoi Kusama's playful work.
Louise O'Neil 11 Nov 2011
UQ ART MUSEUM: Two decades of work by Archibald Prize-winning artist Euan Macleod is on display is this aptly named exhibition.
Louise O'Neil 11 Nov 2011
QUEENSLAND ART GALLERY: Let There Be Sculpture comprises over 50 works from Daphne Mayo (1895–1982) one of Queensland's most significant twentieth century artists.
Gareth Beal 31 Oct 2011
MRA GALLERY: Sydney's newest gallery hosts an exhibition of recent works by Fellow of the Royal Society of Arts, Rex Turnbull.
Gary Anderson 29 Oct 2011
MELBOURNE FESTIVAL: The 2011 festival may be over for another year, but many of the exhibitions in its visual arts program are still on show.
Zoe Rinkel 18 Oct 2011
PLACE GALLERY: Artworks by an established social commentator and a young video artist are paired together in this engaging exhibition.
Louise O'Neil 14 Oct 2011
QUEENSLAND CENTRE FOR PHOTOGRAPHY: Six separate exhibitions are currently on show at the QCP, featuring works by artists from Australia and Brazil.
Alyssa Becht 21 Sep 2011
NO NO GALLERY: Four young artists explore how, what and why people collect - touching on topics from hoarding to found images to collected memories.
ArtsHub 12 Sep 2011
Artist Kieran Swann is one of the three artists featured in the Made by Melbourne Fringe keynote project - Atlas.
Bernadette Burke 9 Sep 2011
Elena Knox's entrancing exhibition of video poetry at Ariel Books, Paddington, has been extended by popular demand.
ArtsHub 9 Sep 2011
From abstract to multi-media and photography, Melbourne Fringe invades high culture with an abundance of visual arts on offer.
Louise O'Neil 27 Aug 2011
QLD ART GALLERY: Henri Cartier-Bresson's skill for capturing ‘the decisive moment’, creating a fusion between photo-journalism and art, is revealed in this remarkable exhibition.