News, analysis and comment - visual arts |
What did you want to be when you grew up?
An Art Dealer.
What did you become?
An Art Dealer.
What's your official title?
Director; James Makin Gallery.
Director; Port Jackson Press Australia.
State Chair (Victoria/Tasmania); Australian Commercial Galleries Association. (ACGA)
What's your background - how did you end up here?
Skilled at art growing up. Life drawing, sculpture etc. knew many artists and art dealers growing up. Love art. Studied a Bachelor of Fine Art at Monash University. (grad 1999). Employed as a fine art auctioneer and art consultant at Leonard Joel Auctioneers. (2000 – 2002). Employed with Port Jackson Press Australia, 2003, Director from 2004. Established James Makin Gallery, 2006. Elected State Chair for ACGA 2008. Commenced a Masters in Arts Curatorship at Melbourne University, (2008 – Current)
How would you describe your work to a complete stranger?
I am an Art dealer, I act as agent, manager and promoter for contemporary artists, holding regular exhibitions of their work in which I hand pick and curate each exhibition. As a director of my own company I also run a small business, employing staff and controlling finances, budgeting, business planning and development.
What's the first thing career related you usually do each day?
Check emails and meet with staff regarding ongoing and rising business. (coffee in hand)
Can you describe an "average" working day for you?
Get up; breaky; read news over coffee, check emails; check phone messages; walk around gallery and look at exhibition; meet with staff, discuss business matters; check on leads; pending sales etc; more coffee; meet with clients over phone, email or in person; lunch; more correspondence; talk to one or more artists; more coffee; go to gym if no art related event to go to after work; Dinner; bed.
Who or what in the arts world most inspires you?
Larry Gagosian
What's the toughest challenge you've dealt with on the job?
Expanding to a larger more beautiful gallery during the GFC. And surviving the GFC, with ongoing successful exhibitions. Generally running small business.
What's the best piece of advice you were ever given for your career?
If you survive the first 5 years you will do ok. And trust your gut instinct.
What are the top three skills you need in your particular role?
A good Eye.
Human Relations. (ie good interpersonal skills, eg staff to staff and to clients and to artists)
Business management and planning ability.
What's the best thing about your job?
I am surrounded by beautiful things all day and I am living the dream, doing what I love.
The phone call to an artist that you have sold another piece is also a great highlight!
And the worst?
Office paperwork
If you had to sum your working life in a word or phrase, what would it be?
“Don’t wait for the light to appear at the end of the tunnel, stride down there and light the bloody thing yourself.”
Tell us something unique about your gallery.
James Makin Gallery has a unique personal warm approach to its artists, clients and friends. As a son of an artist, I understand very well the importance that the dealer serves in the life of an artist. My goal is to bring to the professional world of Art a new perspective and approach where the artist comes first. Connoisseurship and keen eye are necessary to hand pick each work that will be exhibited, ensuring the art collectors always get the best that is available.
In my design for the existing gallery, the goal has been to achieve a warm inviting gallery where artists and clients alike feel the gallery is an extension of their home, welcome to stop in and stay - Visit and enjoy. Closing the gap between commercial galleries and institutional galleries/museums. Increasing the educational aspects by artist talks and lectures about all facets of art and art collecting, not to mention the ever-expanding art reference library.
James Makin Gallery is a natural light filled sawtooth warehouse in the Collingwood arts precinct. Polished concrete floors, museum standard lighting and custom built walls, a flowing exhibition venue allowing for one large or two smaller shows at one time. There is a movable wall to give each exhibition a difference. With a focus on curatorship of each exhibition the aim is to challenge the viewer with every time they visit the gallery. Whether it is to view one or both of the current exhibitions, listen to an artist talk, dig through the stock rooms, James Makin Gallery is one of the larger contemporary galleries in Melbourne specifically designed to promote art and artists.
Bianca Rohlje 25 Jan 2012
MIDSUMMA: American performance artist Martha McDonald hosts song tours of the Maribyrnong River aboard the HMS Blackbird, before transporting audience members to the associated exhibition.
Louise O'Neil 14 Jan 2012
QPAC: Corresponding with the current production of Mary Poppins, this Brisbane-ony exhibition on its creator is entertaining for fans and newbies alike.
Louise O'Neil 7 Jan 2012
QAC: Combining melancholy and mastery, Eugene von Guérard's colonial paintings on display at the Queensland Art Gallery show viewers the beauty of the Australian landscape.
ArtsHub 20 Dec 2011
OFF THE KERB: An eerily coherent group show exploring notions of the collective unconscious, The Collective is evocative and exactly hits its mark.
Sarah Braybrooke 17 Dec 2011
GOETHE INSTITUT: In association with Wilfried Brenne Architects, the Goethe-Institut Australien, Melbourne, is hosting this exhibition on little-known modernist architect Bruno Taut.
Louise O'Neil 10 Dec 2011
GOMA: Curated exclusively for GOMA, this exhibition brings together works from international, national and private collections to explore the range and depth of Matisse’s engagement with the graphic mark.
Lana Howe 3 Dec 2011
MRA GALLERY: Lynn Smith’s photographic exhibition Echoes of Myself is built on the desolate: urban landscapes, abandoned warehouses and beaten up shops, bathed in lamp and neon lights.
Louise O'Neil 26 Nov 2011
GOMA: A celebration of Australian art benefacted by James C. Sourris, this exhibition features exceptional works by Judy Watson, Vernon Ah Kee and Bill Henson, among others.
Louise O'Neil 25 Nov 2011
GOMA: Recalling the hallucinatory whimsy of Alice in Wonderland, 'Look Now, See Forever' showcases two years of polka dot-obsessed Japanese artist Yayoi Kusama's playful work.
Louise O'Neil 11 Nov 2011
UQ ART MUSEUM: Two decades of work by Archibald Prize-winning artist Euan Macleod is on display is this aptly named exhibition.
Louise O'Neil 11 Nov 2011
QUEENSLAND ART GALLERY: Let There Be Sculpture comprises over 50 works from Daphne Mayo (1895–1982) one of Queensland's most significant twentieth century artists.
Gareth Beal 31 Oct 2011
MRA GALLERY: Sydney's newest gallery hosts an exhibition of recent works by Fellow of the Royal Society of Arts, Rex Turnbull.
Gary Anderson 29 Oct 2011
MELBOURNE FESTIVAL: The 2011 festival may be over for another year, but many of the exhibitions in its visual arts program are still on show.
Zoe Rinkel 18 Oct 2011
PLACE GALLERY: Artworks by an established social commentator and a young video artist are paired together in this engaging exhibition.
Louise O'Neil 14 Oct 2011
QUEENSLAND CENTRE FOR PHOTOGRAPHY: Six separate exhibitions are currently on show at the QCP, featuring works by artists from Australia and Brazil.
Alyssa Becht 21 Sep 2011
NO NO GALLERY: Four young artists explore how, what and why people collect - touching on topics from hoarding to found images to collected memories.
ArtsHub 12 Sep 2011
Artist Kieran Swann is one of the three artists featured in the Made by Melbourne Fringe keynote project - Atlas.
Bernadette Burke 9 Sep 2011
Elena Knox's entrancing exhibition of video poetry at Ariel Books, Paddington, has been extended by popular demand.
ArtsHub 9 Sep 2011
From abstract to multi-media and photography, Melbourne Fringe invades high culture with an abundance of visual arts on offer.
Louise O'Neil 27 Aug 2011
QLD ART GALLERY: Henri Cartier-Bresson's skill for capturing ‘the decisive moment’, creating a fusion between photo-journalism and art, is revealed in this remarkable exhibition.