News, analysis and comment - publishing & writing |
The editor of WQ, Queensland Writers Centre magazine, talks about her career and how selling advertising is the biggest challenge for the magazine.
What did you want to be when you grew up?
When I was in primary school, I wanted to be a writer. But then I realised that I preferred reading to writing. This led me to discover the fantastic job of editing and that’s been my goal ever since. There was a brief six-week period where I wanted to be a forensic pathologist but I blame that on a series of books I was reading at the time.
What did you become?
An editor – but I still have a lot to learn.
What's your official title?
Editor, WQ magazine
What's your background - how did you end up here?
My background is short. I did a Bachelor of Arts at UQ with majors in English and writing. I worked in a bookshop for a bit and volunteered at Queensland Writers Centre (QWC) in my spare time, working on the monthly magazine and helping with the 2009/10 print edition of The Australian Writer’s Marketplace. Volunteering at QWC led to my current position; I was in the right place at the right time.
How would you describe your work to a complete stranger?
I put together WQ, the monthly magazine of Queensland Writers Centre. WQ examines issues and topics within the Australian writing community, with a strong Queensland focus. My job involves organising the theme, commissioning the articles, generating advertising, proofing, getting the magazine to print on time, and all the other jobs you need to do to get a magazine into the hands of the reader.
What's the first thing career related you usually do each day?
First thing I usually do is answer emails and read blogs.
Can you describe an "average" working day for you?
It depends what part of the production cycle I’m up to. Most days are spent answering emails, working on the current issue (proofing copy, getting the magazine ready for the designer or printer), talking to advertisers, or planning for an upcoming issue (coming up with content ideas, contacting writers, sending out contracts, gathering information for the next issue).
Who or what in the arts world most inspires you?
Judith Jones – a Senior Editor and Vice President at Knopf publishers. I admire her for her work with some of America’s leading food writers. I love cooking and would love to one day work on a food magazine or cookbook.
What's the toughest challenge you've dealt with on the job?
I had a pretty steep learning curve when I started. While I’d been working part-time on the magazine for about a year, doing various bits and pieces, suddenly having the whole job to do was intense. But nothing beats learning on the job (and making a few mistakes along the way). Shortly after I started, the magazine went through a redesign process – not just cosmetic but also a concept overhaul as part of our goal of making it a national subscription magazine. That felt a bit like jumping into the deep end. But I think the end result is fantastic!
What's the best piece of advice you were ever given for your career?
It is common sense really but I was told once to not be afraid to talk to the writer you are working with when it comes to editing – especially when you come across something in their work that confuses you. It might just be a simple typing error that the writer isn’t aware of. I know that seems very obvious, but it was good to be told that I should keep communication lines, between a writer and myself, open.
What are the top three skills you need in your particular role?
Good planning skills, time management, and an eye for detail.
What's the best thing about your job?
I love seeing the finished product – having the mag in my hands and seeing it (hopefully) have come together thematically and be an issue that other people will find informative, interesting and engaging. That lasts about ten minutes and then I’ve falling in love with the next issue I’m working on.
And the worst?
Selling ads! I’m not very good at the marketing side of things so while I do love hitting my sales targets, having the confidence to book advertisers is something I’m still working on.
And if you had to sum up your working life in a word or phrase, what would it be?
A balancing act! Keeping on deadline while making sure I’m organised for future issues sometimes makes me wish I had two brains. But QWC is such a great organisation to work for – having passionate, inspiring people around really helps motivate me.
Sarah Braybrooke 4 Feb 2012
EXPRESS MEDIA: Brilliantly showcasing a range of young, emerging writing talent, the current issue of Voiceworks – on the theme of play – is extremely appealing.
Sarah Shaul 21 Jan 2012
TEXT PUBLISHING: A finely written, thought-provoking and satisfying novel about a young ballerina coming to terms with adolescence and her burgeoning sexuality.
Carol Flavell Neist 21 Jan 2012
ALLEN & UNWIN: For the student of theatre, John Bell’s first-hand reminiscences are hard to beat.
Gary Anderson 14 Jan 2012
SCRIBE: While not offering much in the way of new insights, Meryle Secrest's biography of the artists is an engaging, worthwhile read.
Oliver Mol 7 Jan 2012
BLACK INC: The Best Australian Essays 2011 is a deeply affecting, highly intelligent look at an Australia we may or may not be familiar with.
Oliver Mol 31 Dec 2011
Black Inc: An important publication featuring 31 of Australia's best authors, The Best Australian Stories 2011 is an earnest, affecting look at modern-day Australia.
Siobhan Argent 29 Dec 2011
ARCADE PUBLICATIONS: Winner of the 2010 Fellowship of Australian Writers' Walter Stone Award for Life Writing, this tale of Australia's first novelist is carefully researched but a tad academic.
Oliver Mol 6 Dec 2011
PENGUIN: Anna Funder's follow-up to the award-winning Stasiland is an an important, factual narrative that addresses a largely ignored subject.
Josh Nelson 17 Nov 2011
CURRENCY PRESS: Sonya Hartnett's analysis of Wolf Creek for the Australian Screen Classics series of publications is under-explored and problematic.
Gary Anderson 18 Nov 2011
LAURENCE KING PUBLISHING: Professor Terry Smith's astutely written, intriguingly illustrated book on a global cultural phenomenon is at once profoundly expert and very accessible.
Gary Anderson 5 Nov 2011
WAKEFIELD PRESS: Adelaide-based Iranian-Australian artist Hossein Valamanesh’s unique practice is explored in this beautifully produced new book.
Carol van Opstal 5 Nov 2011
Michael Bodey’s astoundingly candid account of the brutal, testosterone-driven machinations and towering egos behind the small screen.
Bianca Rohlje 31 Oct 2011
EXPRESS MEDIA: The latest issue of this literary journal for writers under 25 explores the theme 'V' through fiction, poetry and prose.
Fiona Mackrell 29 Oct 2011
The Annual Fiction Edition of this excellent journal features new writing from Benjamin Law, Romy Ash, Chris Womersley, Melissa Lucashenko and more.
Linda Carroli 24 Dec 2011
Two new books about urban innovation, published by the University of Western Australia Press and the Place Leaders Association.
Bianca Rohlje 20 Sep 2011
The latest issue of this eclectic literary journal features Sophie Cunningham on gender bias in Australian literature, Dmetri Kakmi on aging, new fiction, and more.
Siobhan Argent 17 Sep 2011
The September Meanjin is elegantly redesigned and awash with creative conversations from writers around the country.
Rebecca Butterworth 12 Sep 2011
MACMILLAN AUSTRALIA: Mark Dapin’s new novel is a revealing, funny, moving and disturbing book about war, recollection, facing the future and living with the past.
Matt Millikan 5 Sep 2011
EXPRESS MEDIA: Publishing the work of writers under 25, the latest issue of this vibrant magazine explores the concept of ‘Other’ in non-fiction, poetry and prose.
Jenny Penton 27 Aug 2011
The latest issue of this excellent literary journal dedicates its pages to the exploration of reminiscence and personal testimony, examining memoir, personal essays and biography.