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What did you want to be when you grew up?
I wrote in my ‘School Years’ Keepsake’ that I wanted to be a poet and that “my aims” were “good”.
When did you know you would work in the arts?
It’s in the family with an actress mother and sister but I decided I wanted to pursue a career in scriptwriting when I was 16.
How would you describe your work to a complete stranger?
Classically-designed locally-appropriated drama
How hard is it to be authentic in the arts nowadays?
Authenticity is running your own tune.
Is there a mission to your work?
To entertain.
What's your background - are there studies that prepare you for this?
I’ve been utilising the fantastic community in Bathurst to stage my work and draw results. The facilities and people from Bathurst Theatre Company and Theatre/Media at Charles Sturt are great. But my real studies for writing are a much more personal journey of research and practise.
What's the first thing career related you usually do each day?
Fly to an appointment for a theatre, film or event – I can’t help but dabble in everything at the moment.
Can you describe an "average" working day for you?
I fit in rehearsals, doing extra work for others’ shows, working for an Indigenous Arts literacy program through workshops, I’m Vice President of the Bathurst Theatre Company, I am in my final year of a Communications Degree in Theatre so there’s always assignments looming: they’re my labours of love. In between I try to have a durry and make phone calls.
What else do you do to pay the bills?
I work in a 4-star restaurant on Mt. Panorama as a waitor. I’m the devil that cuts down trees for a small outfit out here. I also work on a vineyard in Orange as a farmhand and run my own business in different arts endeavours involving my storytelling.
What's the one thing - piece of equipment, toy, security blanket, – you can't work without?
My typewriter and my music.
What gets you fired up?
Morons.
Who in the industry most inspires you?
In history Tennessee Williams, currently Neil Armfield or Brendan Cowell.
What in the industry do you despair about?
The public’s misconception of theatre.
What is the best thing about your job?
I don’t feel like I’m working.
What’s the worst?
Working in the productions.
What are the top three skills you need in this industry?
A brain. Talent. A plan.
What advice would you give anyone looking to break into the field?
Work together.
How do you know when you missed the mark?
When your eyes travel.
Which of the below phrases best suits your career development to date and why?
a. "The road to success is always under construction. "
b. "Opportunity dances with those who are already on the dance floor."
c. "Success is best measured by how far you've come with the talents you've been given. "
d. "No one can cheat you out of ultimate success but yourself."
D. No one can cheat you out of ultimate success but yourself
When do you know you’ve made it?
Lynne Lancaster 8 Feb 2012
SYDNEY OPERA HOUSE: Warm, wonderful and hilariously witty, this is a superb fantasia on midsummer madness and the meaning of love and life.
Lynne Lancaster 8 Feb 2012
SYDNEY THEATRE COMPANY: A minimalist contemporary version of George Bernard Shaw's famous play, this STC production is analytical and thought-provoking.
Sally Peters 8 Feb 2012
QPAC: Transporting the theatre to a vast land of ancient cultural wealth, Gypsy Pathways was a stunning show, full of passion.
Nerida Dickinson 8 Feb 2012
FRINGE WORLD: Engaging, clever, and never entirely predictable, Frisky and Mannish find and share more culture in pop music than ever seen on MTV.
Tomas Boot 7 Feb 2012
SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.
Siobhan Argent 6 Feb 2012
STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.
Patricia Maunder 6 Feb 2012
MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.
Rebecca Butterworth 6 Feb 2012
COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.
Angela Perry 6 Feb 2012
FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.
Nerida Dickinson 6 Feb 2012
FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.