News, analysis and comment - performing arts |
What did you want to be when you grew up?
A writer. That didn't go down so well with some people. I think they were expecting Fireman or something...
What did you become?
A musician...but that's a type of writer. Also I want to write books at some point.
What's your official title?
?
What's your background - how did you end up here?
I grew up in Darwin with hippies. My life has been very strange...that's how I came to be this way I think.
How would you describe your work to a complete stranger?
Due to my vocabulary being far more limited while talking normally as opposed to when writing a song, I tend to say things like; "Yeah it's kind of acousticy folky...a bit alternative...hopefully...and sometimes a bit funny occasionally and randomly".
I will try and do a better job in this article. It's chock full of tragedy and comedy. Heavy with metaphor. Stories which take you away. Sex, religion, romance, death, humour. These are all things you will find in a song from me.
What's the first thing career related you usually do each day?
This morning I played music for a while. Then emails or phone I guess. Organising musicians and flights what not.
Can you describe an "average" working day for you?
As with many people I think work is now less constrained to 9 to 5. This is especially true in the music industry. I work weird hours. The computer and the internet is the main operations point for me. I'm a bit of a geek so that suits me fine. Lately we've been trying to get the "business" going so I have been putting in lots of hours on management stuff. I do all our online stuff like web site, myspace. As a muso you have to be very versatile. Some of the things I might do on a normal day include : Web Design, Accounting, IT Management, Business Management, Audio Production, People Management, Hostage Negotiation, Massage...the list goes on but I know this way of life is true for many people in the world...
Who or what in the arts world most inspires you?
All forms of creativity inspire me. I love movies, books, TV. I particularly like American Dad. I think the writing is edgy and and exciting...something I would like to be.
What's the toughest challenge you've dealt with on the job?
Keeping relationships working with the people you work with is hard. People are so complex and sensitive. If only I had an army of robots.
What's the best piece of advice you were ever given for your career?
To take the nervousness you might feel sometimes before a performance and use it to your advantage. Don't look at it as a bad thing. Just enjoy the rush.
What are the top three skills you need in your particular role?
Song writing skills
Ability to live with parents
What's the best thing about your job?
Women seem to like you more.
And the worst?
No money :(
And if you had to sum your working life in a word or phrase, what would it be?
Very strange indeed. But good...!
WOMADelaide 2010
5- 8 March, 2010 Botanic Park
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.
Astrid Francis 30 Jan 2012
FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.
Marcus Costello 28 Jan 2012
COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.
Suzanne Yanko 28 Jan 2012
MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.
Gareth Beal 28 Jan 2012
DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.
Leanne Minshull 28 Jan 2012
MONA FOMA: tUnE-yArDs delivered a great set as part of Tasmania's MONA FOMA festival, capping off an over-all extraordinary event.
Callum Moncrieff 25 Jan 2012
MUSIC: In line with a very familiar tree-related philosophy, does art exist if there is no one around to see or hear it?
Jessika Steiner 25 Jan 2012
SYDNEY FESTIVAL: Simple yet beautiful, Amiina's soundscapes created for film-maker Lotte Reiniger's shadow puppet fairytales take audiences on a journey of escapism.
Bernadette Burke 28 Jan 2012
EMI: Elizabeth Harper’s debut under the name Class Actress, Rapproacher is a catchy, fun party spinner perfectly suited to being pulled apart and remixed in a hundred different ways.
Astrid Francis 25 Jan 2012
FRINGE WORLD: A program of small-scale theatre, dance and live-art, Proximity is for those who like the idea of being the performance, not just watching it.
Aleksia Barron 24 Jan 2012
MIDSUMMA: Michael Griffiths brings new meaning to Madonna's songs in a show that unites its audiences in joy.