News, analysis and comment - performing arts |
What did you want to be when you grew up?
Rock star!
When did you know you would work in the arts?
When I started to develop a brain
How would you describe your work to a complete stranger?
Deaf Hedge is a collision of crass comedy cabaret rock.
How hard is it to be authentic in the arts nowadays?
Depends if you want to be authentic. Music and art are something that I do to keep on enjoying life. I enjoy challenging myself to do things that I think are different while balancing them out with the sounds I know and love.
Is there a mission to your work?
To Have FUN!!
What's your background - are there studies that prepare you for this?
Sure, everything in life is a study for an artist. Art is relativism through expression for me
What's the first thing career related you usually do each day?
Eat breakfast
Can you describe an "average" working day for you?
Lots of time writing and answering emails and as much other time jamming on instruments
What else do you do to pay the bills?
Work in a music shop and get centrelink
What's the one thing - piece of equipment, toy, security blanket, – you can't work without?
The instrument I’m making the sound on
What gets you fired up?
High energy rock!! And coffee!
Who in the industry most inspires you?
The awesome creative people in marrickville
What in the industry do you despair about?
The really average music that gets promoted far more than the goods
What is the best thing about your job?
Living my dreams
What’s the worst?
…
What are the top three skills you need in this industry?
Passion, discipline, determination, patience
What advice would you give anyone looking to break into the field?
Do what you love man
How do you know when you missed the mark?
Which of the below phrases best suits your career development to date and why?
a. "Success is best measured by how far you've come with the talents you've been given. "
When do you know you’ve made it?
Lynne Lancaster 8 Feb 2012
SYDNEY OPERA HOUSE: Warm, wonderful and hilariously witty, this is a superb fantasia on midsummer madness and the meaning of love and life.
Lynne Lancaster 8 Feb 2012
SYDNEY THEATRE COMPANY: A minimalist contemporary version of George Bernard Shaw's famous play, this STC production is analytical and thought-provoking.
Sally Peters 8 Feb 2012
QPAC: Transporting the theatre to a vast land of ancient cultural wealth, Gypsy Pathways was a stunning show, full of passion.
Nerida Dickinson 8 Feb 2012
FRINGE WORLD: Engaging, clever, and never entirely predictable, Frisky and Mannish find and share more culture in pop music than ever seen on MTV.
Tomas Boot 7 Feb 2012
SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.
Siobhan Argent 6 Feb 2012
STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.
Patricia Maunder 6 Feb 2012
MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.
Rebecca Butterworth 6 Feb 2012
COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.
Angela Perry 6 Feb 2012
FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.
Nerida Dickinson 6 Feb 2012
FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.