News, analysis and comment - performing arts |
What did you want to be when you grew up?
Famous.
When did you know you would work in the arts?
For as long as I can remember
How would you describe your work to a complete stranger?
Multi-facetted art. Many aspects of music, audio production, drums
How hard is it to be authentic in the arts nowadays?
It is not hard to be authentic but hard to be noticed and to be able to justify yourself.
Is there a mission to your work?
to be heard
What's your background - are there studies that prepare you for this?
After finishing year 12, I studied for four years in a Bachelor of Arts at the University of Western Sydney.
What's the first thing career related you usually do each day?
It varies from day to day depending on my current project, but the one thing that is always constant is a big cup of coffee in the morning.
Can you describe an "average" working day for you?
I have a number of jobs, hard to say exactly what an average day for me would be. Though, every job I do is related to music.
What else do you do to pay the bills?
I am a sub-contractor. I do a variety of thing for work, such as; Audio engineering, technical directing, mixing, and a lot of production work for bands.
What's the one thing - piece of equipment, toy, security blanket, – you can't work without?
When it comes to playing music, obviously I need my drum sticks. But, in my everyday work, I can’t do it without my laptop.
What gets you fired up?
TV ads.
Who in the industry most inspires you?
Bands such as “Atmosphere”, who are a two piece hip-hop band. My main inspiration is the late J Diller, who was a production manager.
What in the industry do you despair about?
Music isn’t how it used to be. Becoming successful is no longer based on what you know, but who you know. It isn’t all about music anymore.
What is the best thing about your job?
My job is never the same. Each day is something different and I am constantly faced with new challenges.
What’s the worst?
Once again, my job always changes. It has its up-sides but the result of that is the inability to find stability. I don’t have time to create a strategy for the jobs that I do because they are over too quickly.
What are the top three skills you need in this industry?
You need a specific skill, like the drums or guitar, a financial plan and way of thinking, and clear communication skills. Can I throw a fourth in? You need to be happy and positive.
What advice would you give anyone looking to break into the field?
Be persistent. Work hard to get your point across. You have to really persevere when you are starting out. Don’t be disheartened, there are always going to be disappointments along the way, You just have to be confident in what you are selling and to not give up.
How do you know when you missed the mark?
When you realize that the way that people are interpreting you is wrong.
Which of the below phrases best suits your career development to date and why?
a. "The road to success is always under construction. "
b. "Opportunity dances with those who are already on the dance floor."
c. "Success is best measured by how far you've come with the talents you've been given. "
d. "No one can cheat you out of ultimate success but yourself."
No one can cheat you out of ultimate success but yourself
When do you know you’ve made it?
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.
Nerida Dickinson 20 May 2012
PERTH INERNATIONAL COMEDY FESTIVAL: A tightly scripted exploration of ideas, navigating deep waters with a most jovial pilot at the helm.