News, analysis and comment - performing arts |
What did you want to be when you grew up?
Famous.
When did you know you would work in the arts?
For as long as I can remember
How would you describe your work to a complete stranger?
Multi-facetted art. Many aspects of music, audio production, drums
How hard is it to be authentic in the arts nowadays?
It is not hard to be authentic but hard to be noticed and to be able to justify yourself.
Is there a mission to your work?
to be heard
What's your background - are there studies that prepare you for this?
After finishing year 12, I studied for four years in a Bachelor of Arts at the University of Western Sydney.
What's the first thing career related you usually do each day?
It varies from day to day depending on my current project, but the one thing that is always constant is a big cup of coffee in the morning.
Can you describe an "average" working day for you?
I have a number of jobs, hard to say exactly what an average day for me would be. Though, every job I do is related to music.
What else do you do to pay the bills?
I am a sub-contractor. I do a variety of thing for work, such as; Audio engineering, technical directing, mixing, and a lot of production work for bands.
What's the one thing - piece of equipment, toy, security blanket, – you can't work without?
When it comes to playing music, obviously I need my drum sticks. But, in my everyday work, I can’t do it without my laptop.
What gets you fired up?
TV ads.
Who in the industry most inspires you?
Bands such as “Atmosphere”, who are a two piece hip-hop band. My main inspiration is the late J Diller, who was a production manager.
What in the industry do you despair about?
Music isn’t how it used to be. Becoming successful is no longer based on what you know, but who you know. It isn’t all about music anymore.
What is the best thing about your job?
My job is never the same. Each day is something different and I am constantly faced with new challenges.
What’s the worst?
Once again, my job always changes. It has its up-sides but the result of that is the inability to find stability. I don’t have time to create a strategy for the jobs that I do because they are over too quickly.
What are the top three skills you need in this industry?
You need a specific skill, like the drums or guitar, a financial plan and way of thinking, and clear communication skills. Can I throw a fourth in? You need to be happy and positive.
What advice would you give anyone looking to break into the field?
Be persistent. Work hard to get your point across. You have to really persevere when you are starting out. Don’t be disheartened, there are always going to be disappointments along the way, You just have to be confident in what you are selling and to not give up.
How do you know when you missed the mark?
When you realize that the way that people are interpreting you is wrong.
Which of the below phrases best suits your career development to date and why?
a. "The road to success is always under construction. "
b. "Opportunity dances with those who are already on the dance floor."
c. "Success is best measured by how far you've come with the talents you've been given. "
d. "No one can cheat you out of ultimate success but yourself."
No one can cheat you out of ultimate success but yourself
When do you know you’ve made it?
Lynne Lancaster 8 Feb 2012
SYDNEY OPERA HOUSE: Warm, wonderful and hilariously witty, this is a superb fantasia on midsummer madness and the meaning of love and life.
Lynne Lancaster 8 Feb 2012
SYDNEY THEATRE COMPANY: A minimalist contemporary version of George Bernard Shaw's famous play, this STC production is analytical and thought-provoking.
Sally Peters 8 Feb 2012
QPAC: Transporting the theatre to a vast land of ancient cultural wealth, Gypsy Pathways was a stunning show, full of passion.
Nerida Dickinson 8 Feb 2012
FRINGE WORLD: Engaging, clever, and never entirely predictable, Frisky and Mannish find and share more culture in pop music than ever seen on MTV.
Tomas Boot 7 Feb 2012
SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.
Siobhan Argent 6 Feb 2012
STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.
Patricia Maunder 6 Feb 2012
MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.
Rebecca Butterworth 6 Feb 2012
COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.
Angela Perry 6 Feb 2012
FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.
Nerida Dickinson 6 Feb 2012
FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.