News, analysis and comment - performing arts 

Nick Power aka b-boy Rely

ArtsHub | Monday, February 08, 2010

Nick Power aka b-boy Rely  

What did you want to be when you grew up?
A race car driver like my Dad.

What did you become?
A Hip Hop artist.

What's your official title?
Artistic Director, Performer, Choreographer, Teacher... the usual independent artist wearing 4 different hats.

What's your background - how did you end up here?
I first got into Dance at my High School Socials we used to show off doing tricks after that I was a battle B*Boy for many years, traveling around competing and doing shows in clubs and at festivals with my crew Gravity Warriors. These days I choreograph, direct and perform in full length shows.

How would you describe your work to a complete stranger?
To be honest when I explain what I do to a complete stranger I cringe because I know people have this idea of what Hip Hop is that's been fed to them by the mainstream media. What I do is a far cry from that image so it takes a bit of explaining. I generally say I'm a B*Boy and then if they don't know what that is I say I'm a breakdancer and I put together shows.

What's the first thing career related you usually do each day?
Yoga or check the emails.

Can you describe an "average" working day for you?

There are 3 equally represented parts to my career:

On tour (show day):
Eat light, stay relaxed, nothing strenuous just chill and conserve energy. Arrive at the venue 2 hours before the show, strong, focussed warm up then rock the house! After the show a couple of drinks, talk about how good/bad we were and get ready to do it all again the next day.

Making a show:
Arrive at the venue before the cast with a clear plan for the day. Take warm up then set tasks or consolidate from the day before. Hopefully create magical moments and have some fun. Go home, think about what's working and what's not, make a plan for the next day, try to switch off and get some sleep.

Admin:
emails, phone calls, meetings, lists. Gotta do what ya gotta do.

Who or what in the arts world most inspires you?
People who take risks and don't follow the trends.

What's the toughest challenge you've dealt with on the job?
Working projects back to back and continuing to come up with interesting and innovative ideas.

What's the best piece of advice you were ever given for your career?
Trust yourself and your ability.

What are the top three skills you need in your particular role?
Experience (not sure this is a skill but it's a necessity), Knowledge and understanding of Hip Hop music, dance and culture, Diplomacy.

What's the best thing about your job?
The people I get to work with.

And the worst?
Being away from my girlfriend for around 6 months of the year.

And if you had to sum your working life in a word or phrase, what would it be?
I live my dream.

BIO
Nick Power aka b-boy Rely has represented Australian hip hop as a break-dancer, choreographer, teacher, producer, and artistic director for over fifteen years. As Artistic Director of Platform Hip Hop Festival, Nick has fostered relationships with artists from all facets of the culture. Nick recently returned from a European tour of Stiltbreak, the breakdancing/stilt acrobatics theatre show he directed and performed for Stalker Theatre Co. His directing credits also include the sold-out hip hop theatre show, Survival Tactics which he co-created and performed at Sydney Opera House, Brisbane Powerhouse and Melbourne Arts House in 2007. Nick has toured and performed as a dancer for such hip hop heavyweights as Grandmaster Flash, Run DMC and the Resin Dogs at some of Australia’s biggest festivals and events. He has worked extensively as a dance tutor within the remote indigenous community of Lajamanu where he regularly choreographs the Milpirri performance work, and has also tutored at many other events and festivals, including Stomping Ground Festival, Sydney Children’s Festival, and Bakehouse. The Platform 3 Hip Hop Festival will see the debut of Elevate, the highly anticipated sequel to Stiltbreak – the wicked fusion of hip hop/physical theatre/and stilt break-dancing!

Catch the Platform 1 Hip Hop Festival action at CarriageWorks on 28 & 29 March in Sydney.

For more info click here

CARRIAGEWORKS PRESENTS

PLATFORM 3 HIP HOP FESTIVAL

*3 days of free hip hop dance classes | 27FEB, 6MAR, 13MAR
*1 day graffiti & street art tour with Mistery | 13MAR 2010
*2 Days high-power hip hop culture (music, dance, art, theatre) | 19-20MAR 2010

CarriageWorks PLATFORM 3 HIP HOP FESTIVAL returns in March 2010 with three Saturdays of FREE hip hop dance classes (Sat 27 Feb, 6 & 13 Mar 11am-12pm), the ultimate graffiti and street art tour of Sydney’s inner west with legendary graffiti artist Mistery (Sat 13 March 11am-1pm), culminating in a slamming two-day celebration of everything hip hop on Friday 19 and Saturday 20 March.

Three years young, PLATFORM 3 HIP HOP FESTIVAL is Sydney’s smokin’ hot showcase of the five crucial elements of hip hop culture - DJing, MCing, beat boxing, break-dancing and graffiti art, by the best Aussie hip hop artists from all over the country. Don’t miss this unique chance to catch hardcore hip hop heads, hot local talent, and novices in a fun and family-friendly environment. THE 2 DAY FESTIVAL: Let’s break it down.

PLATFORM 3 HIP HOP FESTIVAL involves the opening party on Friday night, stacks of free activities on Saturday throughout the day, and a whole host of performances on Saturday Night. The Flexing Skillz and Freak the Technique events are ticketed and the premium ring-side seats are limited so get in fast. If revellers don’t get a ticket, they can watch all the hip hop battles and entertainment for FREE live on the big screen as the CarriageWorks bar and DJs rock well into the night!

FRI 19 MAR - SAT 20 MAR

Related news

The Jinglists

The Jinglists

Matt D’Silva 4 Feb 2012

BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.

The Day The Sky Turned Black

The Day The Sky Turned Black

Chloe Papas 4 Feb 2012

FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.

Three Strikes

Three Strikes

Astrid Francis 3 Feb 2012

FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.

On The Couch with the Freudian Dream Girls

On The Couch with the Freudian Dream Girls

Astrid Francis 3 Feb 2012

FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.

The Magic Flute

The Magic Flute

Jennie Sharpe 4 Feb 2012

SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.

Cirque Appetit

Cirque Appetit

Angela Perry 1 Feb 2012

FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.

Barry Morgan’s World of Organs

Barry Morgan’s World of Organs

Mariyon Slany 31 Jan 2012

FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.

Meow Meow

Meow Meow

Jessica Keath 31 Jan 2012

SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.

Cinderella

Cinderella

Patricia Maunder 30 Jan 2012

VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.

West Side Story

West Side Story

Victor Kline 30 Jan 2012

SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.

Bye Bye World

Bye Bye World

Astrid Francis 30 Jan 2012

FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.

Thyestes

Thyestes

Marcus Costello 28 Jan 2012

COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.

Zoo Twilight Series – James Morrison

Zoo Twilight Series – James Morrison

Suzanne Yanko 28 Jan 2012

MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.

Ordinary Days

Ordinary Days

Gareth Beal 28 Jan 2012

DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.

tUnE-yArDs

tUnE-yArDs

Leanne Minshull 28 Jan 2012

MONA FOMA: tUnE-yArDs delivered a great set as part of Tasmania's MONA FOMA festival, capping off an over-all extraordinary event.

Audience Development

Audience Development

Callum Moncrieff 25 Jan 2012

MUSIC: In line with a very familiar tree-related philosophy, does art exist if there is no one around to see or hear it?

Animagica

Animagica

Jessika Steiner 25 Jan 2012

SYDNEY FESTIVAL: Simple yet beautiful, Amiina's soundscapes created for film-maker Lotte Reiniger's shadow puppet fairytales take audiences on a journey of escapism.

Class Actress - Rapprocher

Class Actress - Rapprocher

Bernadette Burke 28 Jan 2012

EMI: Elizabeth Harper’s debut under the name Class Actress, Rapproacher is a catchy, fun party spinner perfectly suited to being pulled apart and remixed in a hundred different ways.

Proximity Micro Festival

Proximity Micro Festival

Astrid Francis 25 Jan 2012

FRINGE WORLD: A program of small-scale theatre, dance and live-art, Proximity is for those who like the idea of being the performance, not just watching it.

In Vogue: Songs By Madonna

In Vogue: Songs By Madonna

Aleksia Barron 24 Jan 2012

MIDSUMMA: Michael Griffiths brings new meaning to Madonna's songs in a show that unites its audiences in joy.