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What did you want to be when you grew up?
A teacher, policeman or doctor.
What did you become?
I became an actor/director/writer. But I will be a teacher soon.
What's your official title?
Mr Nicholas Edward Waxman, Creative Director of Wax Acts Theatre Company (WAT Company)
What's your background - how did you end up here?
I have worked as an actor for 15years, I attended St. Michaels Grammar School who’s drama program is second to none. The opportunities given to me at school were unbelievable. I also attended Deakin University where I worked on some avant-garde theatre until I left and got my B.A (Music Theatre) at University of Ballarat – that is where I started writing and directing my own shows with students at the Arts Academy. I have worked professionally as an actor and have had 5 years of experience at Theatre Restaurants, Hunchbax theatre Restaurant took me on in 2005 when I was just 17 and no I write and Direct the shows for Witches In Britches Theatre Restaurant and I am the youngest ever to do so here in Australia. I have been very fortunate all my life to have been given the opportunity to attend many plays, musicals, cabarets, dance pieces and exhibitions. I have been surrounded by creativity and art my whole life and it was the passion art releases in people that made me forge such a strong connection to it. I also attended Peter crofts Humorversity and trained as a stand-up comedian, master of ceremonies and public speaker, all of which I still do.
My experience with improvisation led me to create a troupe called ‘Say What?’ a 5 person strong impro group designed for a corporate audience. It was my school, family and local community that gave me the many and varied opportunities to get me where I am now. As well as the love and support of friends.
How would you describe your work to a complete stranger?
We believe strongly in the power of theatre to create positive change and in the importance of affordable, fun, new and entertaining theatre.
We make sure you leave happy and with money in your pocket.
What's the first thing career related you usually do each day?
Check my email. Who has asked for what? Who wants to audition? Who is coming?
Can you describe an "average" working day for you?
I will check my email and webpage, respond to posts and queries. I will then make my way to rehearsals where I undoubtedly will find the wonderful actors waiting and reading their scripts. We will work the show, do line readings, try improvisation and re-think our preconceived ideas. I will then head home to check emails and the booking line for that nights show. I will make it to the venue at about 6 o’clock read to set up for the evening. Audience will arrive, I will man the box office and a volunteer will sell drinks and food. The show will end by about 9.30 and we clear the theatre. When I am not running a show, I will be rehearsing at night for the next or current show. I will also find some time to write in the day, whenever that happens to be, often at 1am.
Who or what in the arts world most inspires you?
I wanted to write after I saw Edward Albee’s The Goat or Who is Sylvia. But before then Samuel Beckett and Louis Nowra inspired me as a director and since then Bernard Shaw and Reginald Rose.
What's the toughest challenge you've dealt with on the job?
Saying no to actors and actresses. Often you will have several fantastic people who are very talented and all appropriate for the part. I am also financially challenged, I have the funds to support shows, but I always struggle with the reality of this world full of contracts, I prefer a handshake and a conversation. But that’s the world.
What's the best piece of advice you were ever given for your career?
I don’t think I’ve ever received advice, it seems the world of theatre is bogged down with tall poppy syndrome and directors are not always willing to share their secrets, but I get constant support from family and friends. Most people still say have a back-up plan. But I would say that’s the worst bit of advice I’ve ever received.
‘Do what you love, what you really love’ I always think about that.
What are the top three skills you need in your particular role?
Organisation, communication and passion/resilience.
What's the best thing about your job?
Sitting back during and show and hearing the audience laugh. Laughter. The very best thing.
And the worst?
Dealing with contracts and bitter people.
And if you had to sum your working life in a word or phrase, what would it be?
A joyful struggle
Nicholas Waxman
Creative Director
Nicholas has been an avid director, writer, producer and performer for many years. He started at six by playing Peter rabbit and hasn’t looked back. Since then he has attended St. Michaels Grammar School, Peter crofts Humorversity, Deakin University, Victoria University and obtained a B.A (Music Theatre) from University of Ballarat. He has performed in over 30 productions, directed 16 shows and written 15 plays/musicals/cabarets. He is also the writer/director of Witches In Britches Theatre Restaurant.
Nicholas created Wax Acts Theatre Company an independent company that believes strongly in the power of theatre to create positive change and the importance of new, fun, affordable and entertaining theatre.
Current project
Simon & Susy playing at Cromwell Rd Theatre, South Yarra 3141, 27a Cromwell Rd, 8pm 3rd-7th of March
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.
Nerida Dickinson 20 May 2012
PERTH INERNATIONAL COMEDY FESTIVAL: A tightly scripted exploration of ideas, navigating deep waters with a most jovial pilot at the helm.