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What did you want to be when you grew up?
A teacher, policeman or doctor.
What did you become?
I became an actor/director/writer. But I will be a teacher soon.
What's your official title?
Mr Nicholas Edward Waxman, Creative Director of Wax Acts Theatre Company (WAT Company)
What's your background - how did you end up here?
I have worked as an actor for 15years, I attended St. Michaels Grammar School who’s drama program is second to none. The opportunities given to me at school were unbelievable. I also attended Deakin University where I worked on some avant-garde theatre until I left and got my B.A (Music Theatre) at University of Ballarat – that is where I started writing and directing my own shows with students at the Arts Academy. I have worked professionally as an actor and have had 5 years of experience at Theatre Restaurants, Hunchbax theatre Restaurant took me on in 2005 when I was just 17 and no I write and Direct the shows for Witches In Britches Theatre Restaurant and I am the youngest ever to do so here in Australia. I have been very fortunate all my life to have been given the opportunity to attend many plays, musicals, cabarets, dance pieces and exhibitions. I have been surrounded by creativity and art my whole life and it was the passion art releases in people that made me forge such a strong connection to it. I also attended Peter crofts Humorversity and trained as a stand-up comedian, master of ceremonies and public speaker, all of which I still do.
My experience with improvisation led me to create a troupe called ‘Say What?’ a 5 person strong impro group designed for a corporate audience. It was my school, family and local community that gave me the many and varied opportunities to get me where I am now. As well as the love and support of friends.
How would you describe your work to a complete stranger?
We believe strongly in the power of theatre to create positive change and in the importance of affordable, fun, new and entertaining theatre.
We make sure you leave happy and with money in your pocket.
What's the first thing career related you usually do each day?
Check my email. Who has asked for what? Who wants to audition? Who is coming?
Can you describe an "average" working day for you?
I will check my email and webpage, respond to posts and queries. I will then make my way to rehearsals where I undoubtedly will find the wonderful actors waiting and reading their scripts. We will work the show, do line readings, try improvisation and re-think our preconceived ideas. I will then head home to check emails and the booking line for that nights show. I will make it to the venue at about 6 o’clock read to set up for the evening. Audience will arrive, I will man the box office and a volunteer will sell drinks and food. The show will end by about 9.30 and we clear the theatre. When I am not running a show, I will be rehearsing at night for the next or current show. I will also find some time to write in the day, whenever that happens to be, often at 1am.
Who or what in the arts world most inspires you?
I wanted to write after I saw Edward Albee’s The Goat or Who is Sylvia. But before then Samuel Beckett and Louis Nowra inspired me as a director and since then Bernard Shaw and Reginald Rose.
What's the toughest challenge you've dealt with on the job?
Saying no to actors and actresses. Often you will have several fantastic people who are very talented and all appropriate for the part. I am also financially challenged, I have the funds to support shows, but I always struggle with the reality of this world full of contracts, I prefer a handshake and a conversation. But that’s the world.
What's the best piece of advice you were ever given for your career?
I don’t think I’ve ever received advice, it seems the world of theatre is bogged down with tall poppy syndrome and directors are not always willing to share their secrets, but I get constant support from family and friends. Most people still say have a back-up plan. But I would say that’s the worst bit of advice I’ve ever received.
‘Do what you love, what you really love’ I always think about that.
What are the top three skills you need in your particular role?
Organisation, communication and passion/resilience.
What's the best thing about your job?
Sitting back during and show and hearing the audience laugh. Laughter. The very best thing.
And the worst?
Dealing with contracts and bitter people.
And if you had to sum your working life in a word or phrase, what would it be?
A joyful struggle
Nicholas Waxman
Creative Director
Nicholas has been an avid director, writer, producer and performer for many years. He started at six by playing Peter rabbit and hasn’t looked back. Since then he has attended St. Michaels Grammar School, Peter crofts Humorversity, Deakin University, Victoria University and obtained a B.A (Music Theatre) from University of Ballarat. He has performed in over 30 productions, directed 16 shows and written 15 plays/musicals/cabarets. He is also the writer/director of Witches In Britches Theatre Restaurant.
Nicholas created Wax Acts Theatre Company an independent company that believes strongly in the power of theatre to create positive change and the importance of new, fun, affordable and entertaining theatre.
Current project
Simon & Susy playing at Cromwell Rd Theatre, South Yarra 3141, 27a Cromwell Rd, 8pm 3rd-7th of March
Lynne Lancaster 8 Feb 2012
SYDNEY OPERA HOUSE: Warm, wonderful and hilariously witty, this is a superb fantasia on midsummer madness and the meaning of love and life.
Lynne Lancaster 8 Feb 2012
SYDNEY THEATRE COMPANY: A minimalist contemporary version of George Bernard Shaw's famous play, this STC production is analytical and thought-provoking.
Sally Peters 8 Feb 2012
QPAC: Transporting the theatre to a vast land of ancient cultural wealth, Gypsy Pathways was a stunning show, full of passion.
Nerida Dickinson 8 Feb 2012
FRINGE WORLD: Engaging, clever, and never entirely predictable, Frisky and Mannish find and share more culture in pop music than ever seen on MTV.
Tomas Boot 7 Feb 2012
SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.
Siobhan Argent 6 Feb 2012
STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.
Patricia Maunder 6 Feb 2012
MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.
Rebecca Butterworth 6 Feb 2012
COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.
Angela Perry 6 Feb 2012
FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.
Nerida Dickinson 6 Feb 2012
FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.