News, analysis and comment - performing arts |
Career Profile: Cam Venn
What did you want to be when you grew up?
A vet, a stand up comedian, and a millionaire.
What did you become?
I don’t feel like I’ve grown up yet.
What's your official title?
It changes every time I send an email. Currently ‘Chief Clown.’
What's your background - how did you end up here?
Me and my friend Tarn used to make up ‘circuses’ to perform for the adults when we were about 5. Then I started drama classes when I was about 7. Tarn and I busked when we were 10. I studied Theatre at TAFE. And then worked for an Environmental Theatre Company (Vox Bandicoot). But always wanted to do my own thing too.
How would you describe your work to a complete stranger?
It’s silly. And it’s magical. And it’s fun. I tell stories and make people laugh and sometimes cry (in a good way).
What's the first thing career related you usually do each day?
Check John Johnson’s facebook page
Can you describe an "average" working day for you?
Ha! Very erratic, but breakfast, always breakfast. Lately it has mainly involved driving to the far reaches of Melbourne to be ridiculed by shopkeepers saying things like “What? You want to turn a rubber chicken into a broom?” Plus admin.
Who or what in the arts world most inspires you?
People with patience and dedication to their art, who actually do it and don’t just wish they were. I just saw Slava’s Snow show and that was amazing.
What's the toughest challenge you've dealt with on the job?
Time management. Juggling family (I have a 2 year old), admin, study, performing, creating, fatigue and everything else.
What's the best piece of advice you were ever given for your career?
Know what to say no to.
What are the top three skills you need in your particular role?
Faith. Inspiration. Perseverance.
What's the best thing about your job?
Laughing kids.
And the worst?
The erratic nature of it. And sometimes feeling completely alone and overwhelmed.
And if you had to sum your working life in a word or phrase, what would it be?
Full.
BIO
Cam Venn is an experienced actor and improviser who has recently established Cave Mann Productions Theatre Company. The company’s debut show is Rodney. Missing. an interactive physical comedy for all ages and cultures, and was selected for development as part Explosion – a mentoring project at Western Edge Youth Arts. Cam is a principal performer for Vox Bandicoot Theatre Company, educating and entertaining thousands of children across Australia. He is also a member of the Impro Melbourne Rookie ensemble, creating high quality improvised theatre. As a facilitator he has worked with various groups including weekly classes for children at the Asylum Seeker Resource Centre and drama workshops for teenagers with special needs at Northern Support Services. He holds a diploma in Small Companies and Community Theatre from NMIT. Rodney. Missing. is on at Northcote Town Hall September 23rd to October 4th as part of the Northcote Kids Fringe Festival.
Click here for more details.
Aleksia Barron 23 May 2012
LA MAMA: Originally written as a gift for her family, Bethany Simons’ play is a faded portrait of country life told through one woman’s stories of war times, local dances, and homemade sausage rolls.
Nicole Eckersley 23 May 2012
NEXT WAVE: Circus artist Skye Gellman uses an iPhone app to lead an audience through his innovative and thoroughly fun new work.
Sarah Ward 23 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.