News, analysis and comment - publishing & writing |
Is Bob Dylan a lyricist or poet? Does it matter? He has been heard to simply call himself a 'song and dance man', but he often mocks the question, as in the lyrics to one of his songs: ”I'm a poet, and I know it. Hope I don't blow it.”
And in the liner notes of his second album, he writes: "Anything I can sing, I call a song. Anything I can't sing, I call a poem." When the Australian Poetry Centre first advertised on Facebook their Songwriters Wax Lyrical event, featuring Kate Ceberano, James Roche from the hit duo, Bachelor Girl, Marty Donald from the Lucksmiths, with Tobias Cummings and James Griffin, reading their lyrics as poetry, Facebook users scoffed at the suggestion.
Some said the Centre should be supporting poets. Not these people! One said Marty might be considered a poet, but the others certainly aren't! Aren't they? They all write songs. They all carefully select and arrange words using tools of rhyme, rhythm, simile and metaphor to convey meaning and connect with readers (and audience) on an emotional level. So what is poetry? And if these people don't write it, who does?
Some definitions of poetry, found in the more popular reference books, are as follows: "poetry is literature in metrical form", "any communication which evokes a feeling", or "the spontaneous overflow of powerful feelings". Emily Dickinson said, "If I read a book and it makes my body so cold no fire ever can warm me, I know that is poetry ",whereas Dylan Thomas suggests: "Poetry is what makes me laugh or cry or yawn, what makes my toenails twinkle, what makes me want to do this or that or nothing." Who could possibly write that? Maybe very few of us are poets? Maybe all of us are.
It is certainly not the role of any person or organisation to judge who is or isn't a poet, what is or isn't poetry. The aim of the Australian Poetry Centre in presenting this event is to bring songwriters back to the fold, make them feel welcome within the poetry community, allow them to share their words with us, comment on why they chose the words they did, and why in that particular order, reflect on the memories and feelings attached to the words when they wrote them....and let them, as the authors of the work, (as well as the audience) discuss and determine for themselves how they see the issue, what they feel is poetry and who they would call a poet.
Why can't artists be poets or poets be authors or writers be artists? And why are screenwriters relegated to the bottom of the barrel where the art of screenwriting is generally not even considered literature? If you are a songwriter and feel like a poet, or wonder why you don't feel like a poet, or you're a writer of any genre, medium or form, why not go along and be part of the discussion.
Clem Bastow hosts this exciting event, the first event in 2010 for the Australian Poetry Centre, at the new Wheeler Centre, March 5th 7:30-9pm. Call (03) 9094 7826 for details or check the APC website.
Paul is the Director of the Australian Poetry Centre now located as part of the Wheeler Centre.
E: editor@artshub.com.auSarah Braybrooke 4 Feb 2012
EXPRESS MEDIA: Brilliantly showcasing a range of young, emerging writing talent, the current issue of Voiceworks – on the theme of play – is extremely appealing.
Sarah Shaul 21 Jan 2012
TEXT PUBLISHING: A finely written, thought-provoking and satisfying novel about a young ballerina coming to terms with adolescence and her burgeoning sexuality.
Carol Flavell Neist 21 Jan 2012
ALLEN & UNWIN: For the student of theatre, John Bell’s first-hand reminiscences are hard to beat.
Gary Anderson 14 Jan 2012
SCRIBE: While not offering much in the way of new insights, Meryle Secrest's biography of the artists is an engaging, worthwhile read.
Oliver Mol 7 Jan 2012
BLACK INC: The Best Australian Essays 2011 is a deeply affecting, highly intelligent look at an Australia we may or may not be familiar with.
Oliver Mol 31 Dec 2011
Black Inc: An important publication featuring 31 of Australia's best authors, The Best Australian Stories 2011 is an earnest, affecting look at modern-day Australia.
Siobhan Argent 29 Dec 2011
ARCADE PUBLICATIONS: Winner of the 2010 Fellowship of Australian Writers' Walter Stone Award for Life Writing, this tale of Australia's first novelist is carefully researched but a tad academic.
Oliver Mol 6 Dec 2011
PENGUIN: Anna Funder's follow-up to the award-winning Stasiland is an an important, factual narrative that addresses a largely ignored subject.
Josh Nelson 17 Nov 2011
CURRENCY PRESS: Sonya Hartnett's analysis of Wolf Creek for the Australian Screen Classics series of publications is under-explored and problematic.
Gary Anderson 18 Nov 2011
LAURENCE KING PUBLISHING: Professor Terry Smith's astutely written, intriguingly illustrated book on a global cultural phenomenon is at once profoundly expert and very accessible.
Gary Anderson 5 Nov 2011
WAKEFIELD PRESS: Adelaide-based Iranian-Australian artist Hossein Valamanesh’s unique practice is explored in this beautifully produced new book.
Carol van Opstal 5 Nov 2011
Michael Bodey’s astoundingly candid account of the brutal, testosterone-driven machinations and towering egos behind the small screen.
Bianca Rohlje 31 Oct 2011
EXPRESS MEDIA: The latest issue of this literary journal for writers under 25 explores the theme 'V' through fiction, poetry and prose.
Fiona Mackrell 29 Oct 2011
The Annual Fiction Edition of this excellent journal features new writing from Benjamin Law, Romy Ash, Chris Womersley, Melissa Lucashenko and more.
Linda Carroli 24 Dec 2011
Two new books about urban innovation, published by the University of Western Australia Press and the Place Leaders Association.
Bianca Rohlje 20 Sep 2011
The latest issue of this eclectic literary journal features Sophie Cunningham on gender bias in Australian literature, Dmetri Kakmi on aging, new fiction, and more.
Siobhan Argent 17 Sep 2011
The September Meanjin is elegantly redesigned and awash with creative conversations from writers around the country.
Rebecca Butterworth 12 Sep 2011
MACMILLAN AUSTRALIA: Mark Dapin’s new novel is a revealing, funny, moving and disturbing book about war, recollection, facing the future and living with the past.
Matt Millikan 5 Sep 2011
EXPRESS MEDIA: Publishing the work of writers under 25, the latest issue of this vibrant magazine explores the concept of ‘Other’ in non-fiction, poetry and prose.
Jenny Penton 27 Aug 2011
The latest issue of this excellent literary journal dedicates its pages to the exploration of reminiscence and personal testimony, examining memoir, personal essays and biography.