News, analysis and comment - film/tv/radio |
The Melbourne Underground Film Festival (MUFF), which closed on August 29 with a successful screening of the banned film L.A. Zombie by Canadian shock auteur Bruce LaBruce – the second screening of the film at the festival – has been the subject of a vituperative attack by an individual believed to be a MUFF ex-volunteer.
On Saturday August 21, one day after the festival opened, an email was sent to a number of media outlets, including Arts Hub, by an individual identifying himself as ‘Harald Dohrn’, urging filmmakers and sponsors to boycott MUFF on the basis that “Festival director Richard Wolstencroft is a white supremacist and a Nazi apologist”.
A later email to Arts Hub made it clear that ‘Harald Dohrn’ was a pseudonym: “As you’d know by now from the auto-reply, Harald Dohrn is a fake name. I think it’s a fair precaution, given [Wolstencroft’s] enthusiastic fetishising of violence and his obviously disturbed personality.”
To support his claims, Dohrn directed readers towards a blog, Richard Wolstencroft’s Unconcealedness, which details numerous inflammatory quotes by Wolstencroft, the majority of them taken directly from his Facebook page and including screen grabs which verify their authenticity.
Such quotes include Wolstencroft’s criticism of a “faggy” character in the TV series True Blood; his casual use of the epithet “Abo” when discussing the success of an Indigenous film at the IF Awards; and the confronting claim that “the Nazis only wanted a united Europe like the EU, anyway, in essence”.
Elsewhere the blog records Wolstencroft’s claim that “refugees lie consistently about their refugee status,” and his belief that Australia is “deliberately importing a new criminal under class. Like we haven’t done that already with much of the Lebanese community.”
Dohrn sent an additional email to the media in an (unsuccessful) attempt to derail the MUFF screening of L.A. Zombie, but his campaign appears to have had little impact on the festival.
“This was definitely the best MUFF, the best and biggest,” Wolstencroft told Arts Hub last week.
“We scaled it down a bit – normally we were about 45 sessions, and we scaled it down to about 25, which was great for some reason,” he said.
“We were better able to publicise and focus upon what we were doing. I think we’ve always been a little overly ambitious for our budget, and so we scaled it back … and were able to focus more on what are our core agenda, which is championing Australian genre films and independent cinema in this country, and it really paid off. It was fucking great, you know?”
When questioned about his political beliefs, Wolstencroft denied that he was, in Dohrn’s words, ‘a white supremacist and a Nazi apologist’.
“I guess I would be considered right wing, but I don’t think there’s anything more controversial about that than being a left wing revolutionary, or something like that,” he said.
“I am interested in right wing politics and I constantly discuss it, but I’m not a racist. I like to basically shake things up a little bit, though maybe not every comment I have made has been well thought out, such as flippant things I generally say on people’s Facebook pages.
“I am against I guess mass immigration continuing in Australia; I think it’s been successful to a point up until now, that’s an opinion that I hold, and I’m quite proud of it. I agree with Tony Abbott’s position on stopping the boats. I’m comfortable with all these things. I don’t think it’s that controversial.”
Does Wolstencroft consider his use of terms such as ‘Abo’ and ‘faggy’ to be controversial?
“I’ve got many gay friends. I can call them fags, I don’t think they have a problem with that. I have many Aboriginal friends who don’t mind if I use the term ‘Abo’,” he responded.
“I am somebody who likes to shake things up. Yes, I am a rabble-rouser, I’m not politically correct. I constantly use things like that. It doesn’t mean shit, I don’t think.”
AND THE WINNER IS
The following awards were presented at the closing night of MUFF XI:
OZBest Film presented by Canon: El Monstro Del Mar!
Runner Up Best Film: Bad Behaviour
Best Director: Joseph Sims (Bad Behaviour)
Best Male Actor: Lindsay Farris (Bad Behaviour)
Best Female Actor: Nelli Scarlet (El Monstro Del Mar! )
Best Supporting Male Actor: Roger Ward (Bad Behaviour)
Best Supporting Female Actor: Ellen Grimshaw (Bad Behaviour)
INTERNATIONAL
Best Foreign Film: The Wild and Wonderful Whites of West Virginia
Best Foreign Director: Bruce LaBruce (LA Zombie)
Best Male Actor: Foreign Film - Morten Rada (Dark Souls)
Best Female Actor: Foreign Film - Ingrid Schram (Blondes in the Jungle)
OZ AND INTERNATIONAL
Special Jury Prize: Road Train
Best Guerrilla Film: Burlesque
Best Documentary: Lanfranchi’s Memorial Discotheque
Best Cinematography: Stuart Simpson (El Monstro Del Mar)
Best Screenplay: Joseph Sims (Bad Behaviour)
Best Short Film: Dark Horse & The Zimmer Gang
Runner Up Best Short Film: Carrot
Best Male Actor in a Short Film: Miles O’Neill (Carrot)
Best Female Actor in a Short Film: Alin Sumarwata (Dark Horse) & Vanessa De Largie (Crazy in the Night)
Best International Short: The Dandy Doctrine
Visit the Melbourne Underground Film Festival here.
Richard Watts is a Melbourne-based arts writer and broadcaster. In addition to writing for Arts Hub he presents the weekly program SmartArts on 3RRR. Richard has worked for a wide array of arts organisations, and has sat on numerous boards. Follow him on Twitter: @richardthewatts
E: editor@artshub.com.auSarah Ward 21 May 2012
ICON: This subtle Russian drama is a poetic, poignant meditation on mortality, finality and farewells.
Leo Ribeiro 18 May 2012
MADMAN: This is not a film is an elegantly defiant must-see video diary from censored Iranian filmmaker Jafar Panahi, now avaliable on DVD.
Beth Anderson 18 May 2012
ICON HOME ENTERTAINMENT: Stephan Elliot’s latest film goes beyond slapstick and farce to the dangerous territory of slapdash; it’s forced, unfunny and painfully exaggerated.
Sarah Ward 18 May 2012
ROADSHOW: Hammer Films return to their gothic format of old with this eerie tale of ghosts and grief starring Daniel Radcliffe.
Susanna Nelson 16 May 2012
MADMAN DVD: The latest film from auteur Lars von Trier is a fluent essay on the human mind – what frees it, what troubles it, what paralyses it.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: A compelling documentary exploring the lives of young Thais who work as Muay Thai fighters on the controversial children’s circuit.
Sarah Ward 16 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: The winner of two Goya Awards, this gentle gem of a film is a carefully considered depiction of one man’s struggle with Alzheimer’s.
Paul Mitchell 15 May 2012
MADMAN: Through the story of one man’s remarkable passion for creativity, this riveting documentary gets to the heart of fashion’s place in the human story.
Sarah Ward 14 May 2012
HUMAN RIGHTS ARTS AND FILM FESTIVAL: Documentarian Joe Berlinger examines the furore around Paul Simon's album ‘Graceland’, recorded in South Africa at the height of apartheid.
Sarah Ward 14 May 2012
ANTIDOTE FILMS: Though not up to the standard of his best work, the latest film from Australian director John Duigan illustrates his penchant for finding poignancy in difficult topics.
Liza Dezfouli 14 May 2012
MADMAN: An interconnected trilogy of tales, Giovanni Veronisi’s romantic drama was the smash hit of the 2011 Lavazza Italian Film Festival.
Sarah Ward 11 May 2012
SECOND NATURE FILMS: This distinctly one-sided documentary examines the popularity of yoga – formerly a male discipline – amongst women worldwide.
Beth Anderson 11 May 2012
ABC DVD/ROADSHOW: In space, no-one can hear you squeal. A six-part comedy series about a gay science fiction fan club and the lives, loves, and never-ending dramas of its five members.
Lee Zachariah 11 May 2012
ICON: A bold trio of films about love and loss from acclaimed director Krzysztof Kieslowski, now available as a DVD box set.
Sarah Ward 9 May 2012
ROADSHOW: In his latest film, a remake of a cult US TV series from the 1960’s, director Tim Burton is once again painting by numbers.
Nicole Eckersley 9 May 2012
MADMAN DVD: A behind-the-scenes look into the kitchen of three Michelin-starred chef Ferran Adrià, widely considered the best, most innovative and craziest chef in the world.
Elspeth McIntosh 8 May 2012
MADMAN: A gripping, political thriller that examines the origins of the Middle East conflict in events that took place under British rule 60 years ago.
Sarah Ward 8 May 2012
MADMAN: The latest film from eclectic director Michael Winterbottom is a contemporary update of a Thomas Hardy novel, set in India.
Sarah Ward 8 May 2012
CURIOUS FILMS: A documentary about the world’s greatest sushi chef hardly sounds like compelling viewing, but that’s exactly what this film is; a cinematic, gastronomic treat.
Leon Marvell 4 May 2012
MADMAN: This five-part documentary series, now available on DVD, is a somewhat rushed guide to the film industries of China, Taiwan, South Korea, India and Iran.