News, analysis and comment - performing arts |
MEDIA RELEASE COURTESY OF: SAVE VCA
As the February 12 deadline for submissions to the Victorian College of the Arts Discussion Paper draws near, the need to speak up for elite arts education is ever clearer. It takes about 5 minutes to do a submission.
In an interview on ABC radio, Federal Education Minister Julia Gillard avoided any suggestion of coming to VCAs aid by considering funding through the Arts Ministry (like Sydney’s NIDA) and thus granting VCA autonomy. Furthermore, the Minister curiously defended the highly controversial University management of VCA saying: I think the University of Melbourne is doing its best to manage the VCA becoming part of what the university does (ABC 774 Jon Faine Program 22 Jan 2010).
The industry report card on the University of Melbourne is very different. VCA graduates Julia Zemiro and Academy Award Recipient Adam Elliot took to YouTube this month to encourage arts lovers to do a submission to the Discussion Paper in defence of VCAs style of elite, studio-based, practical training.
It is also a pivotal time for the arts in Victoria. Michaela Boland of The Australian asserted that during the reign of former Arts Minister Lynne Kosky “the arts sector was left without a connected and informed advocate when it might have benefited from one” (23 Jan 2010). In new Arts Minister Peter Batchelor we must demand this advocacy for VCA and the arts business it services.
SAVE VCA have been working hard to make doing a submission to the Discussion Paper easier. You will now find a generic Microsoft Word submission template on our website which you can quickly personalise and submit. We have also posted sample submissions which follow different formats that you can view.
Sincere thanks for your interest and we hope that with your help the Discussion Paper process will finally enable a path that will SAVE VCA.
Our website isvery current, and has an entire section on the Discussion Paper, including a quick submission template: it takes about 5 minutes to do a submission.
SAVE VCA
savevca@savcevca.org
http://savevca.org/
http://www.facebook.com/savevca
www.youtube.com/savevca
Adam Elliot on the Discussion Paper
http://www.youtube.com/watch?v=nBCVSyoc0X8
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.
Nerida Dickinson 20 May 2012
PERTH INERNATIONAL COMEDY FESTIVAL: A tightly scripted exploration of ideas, navigating deep waters with a most jovial pilot at the helm.