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Oddernity is the debut LP from Melbourne’s The Bon Scotts.
No strangers to the local scene, the band has finally put their eccentric mish-mash of washed out vocals, jangling guitars, found-sounds and twee keyboards down on tape. The press release says it’s an album about love in a time of conspicuous consumption, expectation and recovery, centred round the lives of the image conscious youth, the crazy God lovers, the bloated middle and the forgotten yet eccentric elderly.
We’re not exactly sure what any of that means, but we do reckon this Robert Zimmerman-fronted (yes, seriously, we think…), Damien Sutton-produced band have made a disc filled with twists, turns, quirks and quandaries – more than just a good fun listen.
So far The Bon Scotts have drawn comparisons to The Flaming Lips, Architecture in Helsinki and Arcade Fire – big wraps indeed, but not too far off the money.
You can pick up Oddernity on iTunes and check out the video for first single Drape those caring arms around me below:
Lynne Lancaster 8 Feb 2012
SYDNEY OPERA HOUSE: Warm, wonderful and hilariously witty, this is a superb fantasia on midsummer madness and the meaning of love and life.
Lynne Lancaster 8 Feb 2012
SYDNEY THEATRE COMPANY: A minimalist contemporary version of George Bernard Shaw's famous play, this STC production is analytical and thought-provoking.
Sally Peters 8 Feb 2012
QPAC: Transporting the theatre to a vast land of ancient cultural wealth, Gypsy Pathways was a stunning show, full of passion.
Nerida Dickinson 8 Feb 2012
FRINGE WORLD: Engaging, clever, and never entirely predictable, Frisky and Mannish find and share more culture in pop music than ever seen on MTV.
Tomas Boot 7 Feb 2012
SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.
Siobhan Argent 6 Feb 2012
STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.
Patricia Maunder 6 Feb 2012
MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.
Rebecca Butterworth 6 Feb 2012
COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.
Angela Perry 6 Feb 2012
FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.
Nerida Dickinson 6 Feb 2012
FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.