News, analysis and comment - performing arts 

Michael Gow leaving QTC

artsHub | Thursday, March 11, 2010

Michael Gow  

MEDIA RELEASE COURTESY OF: QUEENSLAND THEATRE COMPANY

Michael Gow, Artistic Director of Queensland Theatre Company, will be leaving the Company to pursue freelance writing and directing.

In his 11th year as Artistic Director of Queensland Theatre Company, Michael has advised the Board that he has declined a further contract following the expiry of his current contract, due in August 2010.

“Being the Artistic Director of Queensland Theatre Company for eleven years has been incredible. There have been wonderful experiences creating works, touring shows, developing young artists and giving artists acknowledged nationally opportunities to work with the Company”, said Michael Gow.

“The Queensland Theatre Company Board offered me a new contract to continue as Artistic Director. I was honoured and excited by the offer but also had to think very hard about a growing need to get back to myself as a writer. I love running this Company but it takes a huge amount of energy and time. After an intense period of reflection I’ve decided I have to put this energy back into my writing and have very sadly declined the offer of another term as Artistic Director.”

Chair of Queensland Theatre Company, Dr Kate Foy said that Michael made a significant contribution to the Company.

“The Board is naturally disappointed that Michael will not be continuing, but understands the reason behind the decision to concentrate on his career as one of Australia’s leading playwrights. It endorses this with its warmest wishes for his continuing success,” said Dr Kate Foy.

“The Board has been delighted with Michael’s performance during the past ten years; he’s been an incredibly fine leader, and a hard-working and visionary Artistic Director. Michael has launched many Company initiatives including the Emerging Artists and Queensland Regional Partnerships programs, as well as the unique and highly sought after Queensland Premier’s Drama Award.

“Michael’s programming boldness is evident in shows such as Edward Albee’s The Goat, Anatomy Titus Fall of Rome: A Shakespeare Commentary and new works such as Dirt alongside his own productions of classics like The Crucible, Richard III, and The Venetian Twins. Michael’s own masterpiece Away undertook a triumphant national, 20th anniversary tour in 2006 establishing the Company in a regular national touring circuit,” Dr Foy added.

“The Company’s writing development and education programs are not always as visible to the general public as its mainstage work, but the success of these significant developmental initiatives under Michael Gow, as well as his other achievements, has meant that his tenure as Artistic Director will undoubtedly be seen as one of enduring importance in the development and maturation of Queensland’s theatre.”

It is anticipated that Michael Gow will program the major part of the 2011 season and continue his relationship with the Company as a freelance artist.

Queensland Theatre Company will be looking to appoint a new Artistic Director by the middle of the year. It will be an open recruitment process, and is anticipated to take up to six months.

Related news

Jane Austen is Dead

Jane Austen is Dead

Liza Dezfouli 22 May 2012

THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.

Wheyface

Wheyface

Nicole Eckersley 22 May 2012

NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.

A Return to the Trees

A Return to the Trees

Lynne Lancaster 22 May 2012

CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.

Crushed

Crushed

Chard Core 22 May 2012

THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.

Uncle Vanya

Uncle Vanya

Aleksia Barron 22 May 2012

FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.

Sammy J and Randy – The Inheritance

Sammy J and Randy – The Inheritance

Nerida Dickinson 22 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.

Henry IV Part One

Henry IV Part One

Rebecca Butterworth 22 May 2012

THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.

Liberate Yourself From My Vice-Like Grip!!!

Liberate Yourself From My Vice-Like Grip!!!

Richard Watts 22 May 2012

NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.

Melbourne Chamber Orchestra: Aria

Melbourne Chamber Orchestra: Aria

Suzanne Yanko 21 May 2012

MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.

120 Birds

120 Birds

Nicole Murphy 21 May 2012

STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.

Haven

Haven

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.

This is Kansas City

This is Kansas City

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...

Dave Callan

Dave Callan

Chloe Papas 21 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.

The Laramie Project – 10 Years Later

The Laramie Project – 10 Years Later

Melanie Burge 21 May 2012

ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.

The Magic Hour

The Magic Hour

Astrid Francis 21 May 2012

DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.

I (Honestly) Love You

I (Honestly) Love You

Chloe Papas 21 May 2012

BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.

Demain L’Aurore

Demain L’Aurore

Flloyd Kennedy 21 May 2012

ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.

John Robertson – The Old Whore

John Robertson – The Old Whore

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.

Jennifer Wong - Ouch & other words

Jennifer Wong - Ouch & other words

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.

Werzel Montague – The Mental-est

Werzel Montague – The Mental-est

Nerida Dickinson 20 May 2012

PERTH INERNATIONAL COMEDY FESTIVAL: A tightly scripted exploration of ideas, navigating deep waters with a most jovial pilot at the helm.