News, analysis and comment - performing arts 

Grassroots: sustainable events

artsHub | Tuesday, March 23, 2010

  

MEDIA RELEASE COURTESY OF: GRASSROOTS PRODUCTIONS

Grassroots Productions is a full service event management company and is among Victoria’s most sustainable after winning the Victorian Employers’ Chamber of Commerce and Industry’s (VECCI) sustainability program award, Grow Me The Money.

One of ten winners, Grassroots Productions was recognized for implementing simple, clever and achievable initiatives to reduce their carbon footprint, and save money.

Grassroots Productions is a unique local business with a large environmental agenda.

Founded by Gillian Milne in December 2008, Grassroots Productions is a full service event management company with an inspiring difference - it specialises in providing sustainable event solutions for business and green lifestyles.

“Our biggest challenge is engaging the supply chain and finding eco-friendly suppliers to enable us to hold 100 per cent green events,” said Grassroots Productions founding Director, Gillian Milne.

“We pride ourselves on our ability to source quality and unique suppliers you won’t find on every street corner. We have worked hard to develop a database of sustainable suppliers and developed strategies to enable conventional suppliers to meet our needs and standards – fact sheets, supplier listings, which certifications and labels to look for.”

Grassroots Productions work on many different types of events including eco-weddings, festival programs, event design, product launches and awards nights.

“Putting together the perfect event requires a lot of detail,” explained Gillian. “For example, we can create an eco-wedding using rickshaws as the bridal transport, mud brick venues, organic fabric wedding dresses, native flowers and organic chocolate statues!”

Grassroots Productions is constantly creating ways to be even greener.

“We minimise by creating greenest office practices, setting standards for suppliers and working with them to reduce the impact of all aspects of the event,” explained Gillian.

They joined VECCI’S Grow Me The Money Program in December 2008 with the primary objective of becoming even greener.

“Our mission is to provide best practice in event management and sustainable events. Grow Me The Money has helped us implement consistent and rigorous measuring and monitoring processes and formalise some of the initiatives that had been implemented intuitively, ” Gillian said.

“There is a lot of skepticism about eco-friendly claims. If you do have a green business, you really need to be able to back up your claims.”

According to Gillian, although there has been a large shift in ‘green awareness’ over the last few years, there are still many grey areas, particularily surrounding accreditation and standards.

Formalising a Green Policy and supplier criteria and implementing a Sustainable Event Management System (SEMS) across all events, as standard practice, were the first and most impactful steps on Gillian’s Grow Me The Money action plan.

Other key activities Grassroots has implemented include reducing energy consumption through simple initiatives like foot operated powerboard switches and installing measuring devices to track progress.

Currently there is no formal Australian or International standard for sustainable event management, but work is underway. Grassroots Productions has been recognised as a key stakeholder by Standards Australia, with a formal invitation to join the forthcoming Australian review meeting of the International Standard (ISO 20121) Sustainability in Event Management.

How Grassroots Productions is making a difference:

• Implement a Sustainable Event Management System (SEMS) across all events as standard practice
• Monitor and measure event waste, carbon and other environmental impacts and provide reporting to educate stakeholders
• Purchase remote controlled power boards for hard to get to places and foot switch powerboards for workstations
• Create a travelwise plan for office and events (e.g. car pooling, public transport, bike access)

Related news

The Weather and Your Health

The Weather and Your Health

Aleksia Barron 23 May 2012

LA MAMA: Originally written as a gift for her family, Bethany Simons’ play is a faded portrait of country life told through one woman’s stories of war times, local dances, and homemade sausage rolls.

Blindscape

Blindscape

Nicole Eckersley 23 May 2012

NEXT WAVE: Circus artist Skye Gellman uses an iPhone app to lead an audience through his innovative and thoroughly fun new work.

The Queen Has No Crown

The Queen Has No Crown

Sarah Ward 23 May 2012

HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.

Jane Austen is Dead

Jane Austen is Dead

Liza Dezfouli 22 May 2012

THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.

Wheyface

Wheyface

Nicole Eckersley 22 May 2012

NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.

A Return to the Trees

A Return to the Trees

Lynne Lancaster 22 May 2012

CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.

Crushed

Crushed

Chard Core 22 May 2012

THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.

Uncle Vanya

Uncle Vanya

Aleksia Barron 22 May 2012

FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.

Sammy J and Randy – The Inheritance

Sammy J and Randy – The Inheritance

Nerida Dickinson 22 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.

Henry IV Part One

Henry IV Part One

Rebecca Butterworth 22 May 2012

THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.

Liberate Yourself From My Vice-Like Grip!!!

Liberate Yourself From My Vice-Like Grip!!!

Richard Watts 22 May 2012

NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.

Melbourne Chamber Orchestra: Aria

Melbourne Chamber Orchestra: Aria

Suzanne Yanko 21 May 2012

MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.

120 Birds

120 Birds

Nicole Murphy 21 May 2012

STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.

Haven

Haven

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.

This is Kansas City

This is Kansas City

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...

Dave Callan

Dave Callan

Chloe Papas 21 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.

The Laramie Project – 10 Years Later

The Laramie Project – 10 Years Later

Melanie Burge 21 May 2012

ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.

The Magic Hour

The Magic Hour

Astrid Francis 21 May 2012

DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.

I (Honestly) Love You

I (Honestly) Love You

Chloe Papas 21 May 2012

BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.

Demain L’Aurore

Demain L’Aurore

Flloyd Kennedy 21 May 2012

ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.