News, analysis and comment - performing arts |
Sydney’s theatre scene is starting to take notice of the carbon emissions it is releasing as a result of its day-to-day activity. Some within the industry are now trying to set an example for the rest and are now putting their money where their mouth is. Arts Hub speaks to one producer who is already in on the act – Rebecca Rocheford Davies.
What made you aware of the carbon off-set system?
Over the last couple of years, I have become increasingly aware of how much energy I was using and because of that my attention turned to Fishy Productions. I wondered what we could do to make less of an environmental impact. There were lots of things we could do, but some things like computers, stage lights, transport and air conditioners were unavoidable. So I did some research on-line and found a company that could off-set our unavoidable energy usage by creating wind and solar projects as well as planting trees.
What have you done to reduce and offset the environmental impact of the show?
For now, in addition to off-setting our carbon, we are doing everything we can think of and we are finding a lot of support in the Sydney business community. Whole Foods House has supplied all of our groceries and the floor was provided by Style Planation. Lexus took an ad in our program to promote their hybrids and we are finding there is a lot of interest in going green, not only from businesses but from people in general.
Our return season of Dinner With Friends was a bit of an experiment to see what we could do to lessen our environmental impact even further. We are an independant theatre company with a small budget, and we found that what we did was really easy and affordable. All of our promotional printing (fliers, posters, and programs) is produced on recycled paper. It only costs 20% more to use recycled paper. The floor of our set is bamboo. Bamboo floor looks like a hardwood, but because it is a type of grass, it grows quickly and is renewable. As well it is considered eco-friendly, especially when it replaces other timbers. All of our food props are organic and biodynamic when possible. We changed all the light bulbs in our rehearsal space to eco-friendly bulbs and we are composting and recycling our props every night.
Do you think that theatre and the performing arts are doing enough environmentally?
At this stage, I would say that we could all do more to think of ways to lessen our impact on the environment. I think most performing arts companies and individuals want to do something, they are just not sure where to start. All we have done at this point is to do what we can think of doing. The most surprising thing for us has been that it really isn't that hard to make a few small changes an all it takes is a little planning and forethought.
What are your environmental plans for your next show?
Our next show, This Is How It Goes by Neil LaBute, will be on at the Darlinghurst Theatre Company early next year. We plan on continuing what we have implemented so far and continue to look for new ways to conserve in the future.
Tomas Boot 7 Feb 2012
SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.
Siobhan Argent 6 Feb 2012
STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.
Patricia Maunder 6 Feb 2012
MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.
Rebecca Butterworth 6 Feb 2012
COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.
Angela Perry 6 Feb 2012
FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.
Nerida Dickinson 6 Feb 2012
FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.
Astrid Francis 30 Jan 2012
FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.
Marcus Costello 28 Jan 2012
COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.
Suzanne Yanko 28 Jan 2012
MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.
Gareth Beal 28 Jan 2012
DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.