News, analysis and comment - performing arts 

1001 nights cast: Theatre on the Internet

ArtsHub | Wednesday, June 20, 2007

Barbara Campbell is performing a piece of short theatre live to an Internet audience every night for 1001 nights as part of an Australia Council Fellowship.   

Australian performance artist Barbara Campbell is seeking twelve writers and/or performance artists to collaborate with her on 1001 nights cast, a short text-based work which she is currently performing each night for 1001 consecutive nights.

The workshop will give writers who would like to focus on writing for performance and performers who would like to exercise their writing muscles the opportunity to write material in a group situation with Campbell. It aims to take the normally solitary experience of the writer and turn it into a group experience.

What they produce will be performed live on the Internet by Campbell on nights 760, 761 and 762, when Campbell will be bringing the project to the UK. (Campbell is currently working on performance no. 730.)

Campbell’s performances will be relayed as a live webcast to anyone, anywhere, who is logged on to the website at the appointed time, that is, sunset at the artist’s location.

Each day’s performance is different and is created based on a Middle East news report that Campbell reads during the day. From a prompt word or phrase that leaps to her from the page, Campbell develops a watercolour that she posts on the website, then generates a story of up to 1001 words, which she performs at night.

The group will be given an overarching narrative premise. For example, a traveller arrives in London seeking guidance. Who are her guides? Who are her adversaries? The group will work on the general shape of the narrative’s three-day trajectory and decide how it will evolve for each day’s story/performance.

Each day will begin with performance-based writing warm-up exercises. The day’s prompt will be discussed, its context and its generative potential. Story tasks will be distributed amongst the group. Individual writing will be voiced and shared for re-writing, editing and given final form for performance.

Campbell’s 1001 nights cast as part of an Australia Council for the Arts Fellowship, which provides the funding that allows her to produce the project and travel. Campbell taught the history and practice of performance at Sydney College of the Arts; the University of Sydney Performance Studies Department; the University of Technology, Sydney and the Canberra School of Art. She has also worked in a range of non-theatre spaces including art galleries, museums, atriums, towers, public stairways, radio airwaves and currently the Internet.

The performances based on the writers’ work will take place in London on Friday 20, Saturday 21, and Sunday 22 July 2007. Applicants should write a paragraph describing “the sound of that morning” as well as a short CV highlighting the kind of writing and/or performance experiences they have had to date, and sent it to barbara@1001.net.au by 6pm on Friday 6 July 2007. A combination of experienced and inexperienced writers will be selected.

Writing for 1001 nights cast is part of DIY 4, a project that gives artists working in Live Art the opportunity to take part in a series of short training and professional development projects conceived and run by artists for artists.

Related news

Morning of the Earth

Morning of the Earth

Tomas Boot 7 Feb 2012

SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.

Here, In the Sugarcane

Here, In the Sugarcane

Siobhan Argent 6 Feb 2012

STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.

Doctor Who Symphonic Spectacular

Doctor Who Symphonic Spectacular

Patricia Maunder 6 Feb 2012

MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.

Yes, Prime Minister

Yes, Prime Minister

Rebecca Butterworth 6 Feb 2012

COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.

The Burlesque Garden

The Burlesque Garden

Angela Perry 6 Feb 2012

FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.

The New Conway Explosion

The New Conway Explosion

Nerida Dickinson 6 Feb 2012

FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.

The Jinglists

The Jinglists

Matt D’Silva 4 Feb 2012

BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.

The Day The Sky Turned Black

The Day The Sky Turned Black

Chloe Papas 4 Feb 2012

FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.

Three Strikes

Three Strikes

Astrid Francis 3 Feb 2012

FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.

On The Couch with the Freudian Dream Girls

On The Couch with the Freudian Dream Girls

Astrid Francis 3 Feb 2012

FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.

The Magic Flute

The Magic Flute

Jennie Sharpe 4 Feb 2012

SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.

Cirque Appetit

Cirque Appetit

Angela Perry 1 Feb 2012

FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.

Barry Morgan’s World of Organs

Barry Morgan’s World of Organs

Mariyon Slany 31 Jan 2012

FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.

Meow Meow

Meow Meow

Jessica Keath 31 Jan 2012

SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.

Cinderella

Cinderella

Patricia Maunder 30 Jan 2012

VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.

West Side Story

West Side Story

Victor Kline 30 Jan 2012

SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.

Bye Bye World

Bye Bye World

Astrid Francis 30 Jan 2012

FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.

Thyestes

Thyestes

Marcus Costello 28 Jan 2012

COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.

Zoo Twilight Series – James Morrison

Zoo Twilight Series – James Morrison

Suzanne Yanko 28 Jan 2012

MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.

Ordinary Days

Ordinary Days

Gareth Beal 28 Jan 2012

DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.