News, analysis and comment - film/tv/radio |
MEDIA RELEASE COURTESY OF: Australian Women Directors Alliance
Women in Leadership Forum: Creative Change
The AWDA Women in Leadership Forum is an opportunity for women in theatre to participate in a vibrant discussion to invigorate our professional future. The Women in Leadership forum will address the challenge of creating a more diverse representation in leadership positions across our industry. Visionary women, leaders in their fields, will be invited to inspire this debate as we investigate new models for work, artistic practice, and the psychology of change - how workplaces and communities can transform to authentically represent contemporary social values and concerns.
The AWDA Women in Leadership Forum: Creative Change will explore how we might reshape the professional environment by adopting accessible models of arts practice that promote women’s skills and potential. Panellists and guest speakers from other sectors will inspire us to consider how transformational practices in other fields might be applied to reinvigorate existing theatre structures.
In Victoria there are many skilled, dynamic, exciting, emerging, experienced and visionary women directing theatre across a myriad of projects, genres and sectors. If we put our considerable minds together, what might our collective vision be for accessible and sustainable work structures that support women in key creative roles? What can we propose to replace some of the opaque patriarchal structures and habits prevalent in current industry practice?
As well as considering models for sustainable practice that already exist in other industries, The AWDA Women in Leadership Forum will identify successful leadership practices adopted by innovative women in theatre. The Forum will invite theatre practitioners to consider what an ideal career path could look like. In doing so, we will envisage initiatives that enhance women’s leadership skills, beyond mentoring schemes.
The forum discussions will be inspiring for directors at all levels of practice, theatre companies, artistic directors and arts funding bodies. A list of conclusions and recommendations will be created to inspire key organisations to move towards becoming authentically equitable workplaces.
The AWDA Women in Leadership Forum will consist of panel discussions, breakaway discussion, and Q & A sessions. Delegates will also have the option of attending a ‘Leadership Skills’ panel to explore strategies for representing themselves and their practice to industry decision makers.
If you are interested in being part of this dynamic event, please fill out an expression of interest form CLICK HERE TO FILL OUT FORM.
Should you have trouble filling in the form please email back to the directors.alliance@gmail.com address:
Name
Email
Contact phone number
Your position and company name (where relevant)
Short biog (so we can include in our program)
Whether you intend to attend the whole conference or just the Friday night or Saturday day.
Sarah Ward 7 Feb 2012
ROADSHOW: Despite spirited efforts from its cast, Working Dog's latest film Any Questions for Ben? feels flat, forced and false.
Sarah Ward 6 Feb 2012
ABC TV: Discomforting yet tender, Then the Wind Changed is an important record of the lasting human impact of the Black Saturday bushfires.
Sarah Ward 6 Feb 2012
TRANSMISSION FILMS: Magnetic and moving, Shame might just be Steve McQueen and Michael Fassbender's finest hour.
Sarah Ward 2 Feb 2012
ACMI: Julie Moggan's documentary offers a slight and sweet glimpse at romance novel publishers Harlequin Mills & Boon.
Sarah Ward 1 Feb 2012
HOYTS: If the success of Man on a Ledge was judged on its adherence to its name, it would be a hit. Sadly, the film disappoints.
Melanie Sheridan 31 Jan 2012
ABC1: Set in the tropical paradise of Australia’s Far North Queensland and the Torres Strait, The Straits is a bullet-riddled, darkly funny local crime drama.
Melanie Sheridan 31 Jan 2012
SCI-FI CHANNEL: It’s not groundbreaking science fiction but Alphas is a serviceable ‘mutant’ show.
Sarah Ward 30 Jan 2012
ROADSHOW: With captivating turns from Oscar contenders Jean Dujardin and Bérénice Bejo, The Artist captures the essence of movie magic to become itself an instant classic.
Sarah Ward 24 Jan 2012
ROADSHOW: Sluggish direction and an average script bog down what should have been a fascinating film about one of America's best-known figures.
Melanie Sheridan 24 Jan 2012
SCI FI CHANNEL: If agents Mulder and Scully teamed up with Indiana Jones and Noah Wylie's Librarian, you might get a show like Warehouse 13.
Gareth Beal 23 Jan 2012
SYDNEY FESTIVAL: Live Live Cinema: Carnival of Souls is wonderful entertainment, and hopefully a precursor to many similar productions over the coming years.
Nicole Eckersley 23 Jan 2012
RIALTO: This lovely film about a gay one-weekend-stand manages to be languid, witty and insightful all at once.
Aleksia Barron 23 Jan 2012
ROOFTOP CINEMA: One-take experimental music videos may not be to every taste but if they’re to yours, watching them with the city lights as a backdrop is the way to do it.
Sarah Ward 17 Jan 2012
UNIVERSAL: The embodiment of the old-fashioned spy genre, this new cinematic interpretation of John le Carré’s famed novel is an intelligent, enigmatic and enthralling movie.
Helen Begley 16 Jan 2012
MADMAN: With an entirely new cast and set of stories, series 5 of British TV show Skins continues the form set in earlier seasons as it follows the lives of eight teens navigating life, love, lust and more.
Sarah Ward 16 Jan 2012
PARAMOUNT: A gender-reversed take on the man-child movies common of late, Young Adult sees Charlize Theron put in her best screen performance since Monster.
Sarah Ward 13 Jan 2012
MADMAN: The sequel to Gabriele Muccino's 2001 film The Last Kiss, Kiss Me Again is an uneven effort given life by a fine ensemble cast.
Sarah Ward 14 Jan 2012
ACMI: Seventeen years after his documentary Hoop Dreams, director Steve James returns with a powerful, unflinching look at Chicago's violence prevention endeavour CeaseFire.
Bianca Rohlje 14 Jan 2012
SHARMILL FILMS: National Theatre Live screens live performances from Britain's stage to cinemas worldwide. Its third season kicks off with the thoroughly enjoyable Collaborators.
Kate Boston Smith 11 Jan 2012
MADMAN: A rare look behind the scenes of one of the most venerated music photographers of our times, Shadow Play offers you an insight into the mind of a visionary.