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MEDIA RELEASE COURTESY OF: MELBOURNE QUEER FILM FESTIVAL
The Melbourne Queer Film Festival this year celebrates it’s 20th birthday. Screening from 18-29 March, MQFF will screen over 140 films over twelve days and includes a $11,000 cash prize pool.
The festival will open with South Korean film, Antique, a delightful film about four men, a cake shop, and the secrets that begin to unravel. The film will open the festival at 7:30pm on Wednesday 17th March at the Astor Theatre, St Kilda.
Other MQFF events include:
Saturday 20 March – Panel discussion: Diagnosing Difference
Immediately following the screening of Annalise Ophelian’s film Diagnosing Difference a gender panel featuring those who have personal and professional experience with gender issues will discuss the concerns raised by the film.
2pm ACMI Studio, plaza level
Sunday 21 March – Panel discussion: The Butch Factor
Immediately following the screening of Christopher Hines’ film The Butch Factor, panellists active within the gay community will discuss the complex relationship between masculinity and sexual orientation.
2:15pm ACMI cinemas
Tuesday 23 March and Wednesday 24 March – Celluloid Casserole
MQFF and LOOP present an eclectic menu of new Australian shorts. For just a gold coin donation you can see a collection of exciting new local titles. Now screening on two nights by popular demand.
7:30pm LOOP
Thursday 25 March – World Premiere: From Beginning to End
Director Aluizio Albranches will be in attendance at the festival.
6:15pm ACMI cinemas
Saturday 27 March – Panel discussion: Holding Hands
Immediately following the screening of Tonnette Stanford and Katherine Wilkinson’s film Holding Hands, an anti-violence panel featuring the Executive Director of Anti-Violence Project of Victoria Inc, a Sergeant with Victoria police, and a lecturer on sexuality and gender, will discuss the still prevalent issue of anti-gay violence.
1:30pm ACMI Studio, plaza level
Sunday 28 March – Panel discussion: Training Rules
Immediately following the screening of Dee Mosbacher and Fawn Yacker’s film Training Rules, a panel of athletes and academics will discuss homophobia in sport
2pm ACMI Studio, plaza level
Sunday 28 March – MQFF Closing Night & World Premiere: Elvis and Madonna
Director Marcelo Laffite’s film tells a truly modern queer love story between a lesbian photographer and a transwoman stage performer.
8:30pm ACMI cinemas
Sarah Ward 7 Feb 2012
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HOYTS: If the success of Man on a Ledge was judged on its adherence to its name, it would be a hit. Sadly, the film disappoints.
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SCI-FI CHANNEL: It’s not groundbreaking science fiction but Alphas is a serviceable ‘mutant’ show.
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ROADSHOW: With captivating turns from Oscar contenders Jean Dujardin and Bérénice Bejo, The Artist captures the essence of movie magic to become itself an instant classic.
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ROADSHOW: Sluggish direction and an average script bog down what should have been a fascinating film about one of America's best-known figures.
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SCI FI CHANNEL: If agents Mulder and Scully teamed up with Indiana Jones and Noah Wylie's Librarian, you might get a show like Warehouse 13.
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SYDNEY FESTIVAL: Live Live Cinema: Carnival of Souls is wonderful entertainment, and hopefully a precursor to many similar productions over the coming years.
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RIALTO: This lovely film about a gay one-weekend-stand manages to be languid, witty and insightful all at once.
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ROOFTOP CINEMA: One-take experimental music videos may not be to every taste but if they’re to yours, watching them with the city lights as a backdrop is the way to do it.
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UNIVERSAL: The embodiment of the old-fashioned spy genre, this new cinematic interpretation of John le Carré’s famed novel is an intelligent, enigmatic and enthralling movie.
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MADMAN: With an entirely new cast and set of stories, series 5 of British TV show Skins continues the form set in earlier seasons as it follows the lives of eight teens navigating life, love, lust and more.
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PARAMOUNT: A gender-reversed take on the man-child movies common of late, Young Adult sees Charlize Theron put in her best screen performance since Monster.
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MADMAN: The sequel to Gabriele Muccino's 2001 film The Last Kiss, Kiss Me Again is an uneven effort given life by a fine ensemble cast.
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ACMI: Seventeen years after his documentary Hoop Dreams, director Steve James returns with a powerful, unflinching look at Chicago's violence prevention endeavour CeaseFire.
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SHARMILL FILMS: National Theatre Live screens live performances from Britain's stage to cinemas worldwide. Its third season kicks off with the thoroughly enjoyable Collaborators.
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MADMAN: A rare look behind the scenes of one of the most venerated music photographers of our times, Shadow Play offers you an insight into the mind of a visionary.