News, analysis and comment - architecture & design |
MEDIA RELEASE COURTESTY: AUSTRALIAN GREENS
The Australian Greens have launched a policy platform to help ensure a vibrant future for the performing arts in Australia.
The platform includes grants programs for innovation in the arts and for touring domestically and globally, policies to support artists through periods of unpredictable work, and a commitment to begin political engagement with the challenge of cleaning up copyright law.
“The Greens recognise the wonderful role artists play in our society, helping us to understand our world, bringing us together as a community and challenging us to see it from a different perspective,” Australian Greens Deputy Leader, Senator Christine Milne, said.
“To make sure performing arts has a vibrant future in Australia, we need to encourage
innovation, support artists and make sure as many Australians as possible get to share the experience.”
The Greens' vibrant future for performing arts policy:
• establishes a $5 million a year Arts Research and Development Fund to support new
Australian work, risk-taking work and truly innovative social artistic ventures;
• increases the Playing Australia fund for touring Australia and establishes a new $10
million overseas touring fund;
• includes artistic engagement with recognised arts organisations for the purposes of
meeting social security requirements; and
• commits to initiating roundtable discussions to reform the copyright regime.
“Every industry needs innovation to survive and thrive and the arts is no exception. But while in the sciences it is acknowledged that some experiments fail, experiments aren't given the same chance in the arts.
“The Greens would provide grants to projects from performing arts in community development such as Big hArt's brilliant work in north west Tasmania and in Indigenous communities to bringing together small companies with major performing arts groups for innovative work.
“Touring is vital for the performing arts to have a vibrant future. The more widely work that is exciting and beautiful and challenging is shared across the community, the more we all gain from it.
“But tourism is also vital because it creates the holy grail of longer term work for casts and crew in an industry where jobs are sporadic and highly unpredictable.
“Another part of helping artists deal with uncertainty is changing Centrelink rules to allow artistic engagement with recognised organisations to be counted in social security requirements. This will improve the employment prospects of performance artists in the arts and help them to make ends meet when between jobs.
“Copyright is one of the most important mechanisms to nurture and reward creativity and to secure an income stream for artists, but many argue it hasn't kept pace with the times.
“We need a serious political conversation about the future of copyright and the Greens are committed to starting one.”
Policy Statement
The Greens believe that a vibrant future for Australia’s performing arts will involve both the traditional arts, which enrich us and have provided so much to our culture for centuries, and a newer, more open approach to cultural policy, which brings arts into every aspect of our lives. The two can, and must, interact if either is to thrive.
The Greens’ performing arts policies focus on:
• Supporting innovation in performing arts;
• Taking performing arts to the community;
• Supporting our artists; and
• Cleaning up copyright.
GREENS INITIATIVES
Supporting innovation in performing arts
Every sector of our society needs innovation to survive and thrive and the arts sector is no exception. However, whereas in the sciences it is acknowledged that many experiments will fail, there is very little acknowledgement of this in arts funding.
The Greens propose an Arts Research and Development Fund, with an initial $5 million allocation per year, to support new Australian work, risk-taking work and truly innovative social artistic ventures. The competitive grants program would support ventures as diverse as:
• performing arts in community development, such as Big hArt which is operating in indigenous communities in the NT and disadvantaged communities in north west Tasmania;
• providing access to space, resources and mentoring within Major Performing Arts Groups to small companies for the partnering of specific innovative projects; and
• major innovative production concepts that need support for creative work before being pitched as festival events and supported by the ongoing and highly successful Major Festivals Initiative.
This new fund will incorporate an expanded Interconnections program, the successful grants program which brings together major companies with smaller groups to collaborate on new works. Interconnections is currently funded at $150,000 a year. This will be doubled to $300,000 as part of the Arts Research and Development Fund, with a specific focus on innovation and touring successful collaborations.
Touring artists around Australia and the world
The performing arts enrich and stimulate us all and we should ensure that as many Australians have an opportunity to share them as possible. Touring performing arts productions also creates jobs for the longer term – allowing companies to employ cast and crew for many months rather than just a few weeks.
The Greens also believe that our performing artists are as effective ambassadors for Australia as our sporting stars and should be celebrated as such by our leaders. Why do politicians love to be seen farewelling sports teams as they leave for major events but ignore our orchestras and theatre companies when they head overseas to wow audiences in Europe and America?
The Greens wants to see funding for Playing Australia, the body which administers grants for touring performing arts in Australia, increased from $6.3 million to $8.3 million a year, in line with suggestions from the Australian Major Performing Arts Group, the Australian Performing Arts Centres Association and Regional Arts Australia.
The Greens also support the call from Australian Performing Arts Centres Association (APACA), the Australian Major Performing Arts Group (AMPAG) and Live Performance Australia (LPA) for a new fund for overseas touring of new Australian works. This fund of $10 million a year, for an initial period of three years, would both promote Australian creative work to the world and encourage the creation of more Australian works by increasing its potential audience and the duration for performance schedules.
Supporting artists in an uncertain world
The Greens recognise that, given the unpredictability of income from creative work and the lack of job stability, many artists need income support to survive at various times in their careers. We have already released a policy during the campaign to recognise artistic work for the purposes of meeting social security requirements. This was launched in the context of our visual arts policy, but would apply equally to those in the performing arts.
Under the Greens’ proposal artists actively engaged in recognised art and performance programs or organisations likely to improve their employment prospects or income from their art will be recognised as part of the mutual obligation requirements by Centrelink. Guidelines outlining the eligibility requirements of such programs will be developed in consultation with relevant arts organisations and Centrelink staff will be trained to better assist artists needing income support.
Cleaning up copyright
One aspect of the arts that the great majority of those involved agree on is that our copyright system is struggling to keep pace with the times. A system that is meant to be about nurturing creativity by rewarding it is at risk of stifling such creativity in complexity. At the same time we need to recognise that copyright protects the intellectual property of an artist and provides an important income stream. We need a copyright structure which rewards creators while respecting fair use and avoiding administrative complexities.
There may not be the need for wholesale change but it will certainly require political engagement for any kind of reform to take place.
The Greens commit to hosting a series of round-table discussions with a broad cross-section of representatives from the creative industries to begin serious political debate in Australia about the future of copyright. The first of these will take place before the end of 2010.
artsHub 10 Oct 2011
Founding Principal, Hannah Tribe, created Tribe Studio Architects in 2003.
artsHub 10 Oct 2011
Andrew Burns Architect is a young and enthusiastic practice, established in 2008.
artsHub 10 Oct 2011
Liane Rossler is a central figure within Australia’s arts and design sector.
artsHub 10 Oct 2011
Anthony is an Associate Professor and Head of the School of Architecture at UTS.
artsHub 10 Oct 2011
Tamara Donnellan is Associate Director of TERROIR which she joined in 2000.
artsHub 10 Oct 2011
Kate St. James is a designer and editor of Universal Magazines’ Home Design + Living Series.
artsHub 10 Oct 2011
Grand Designs Australia is taking over the Sydney Convention Centre in October.
artsHub 10 Oct 2011
Max Dupain has made the geographic world of Sydney the heart of his artistry.
artsHub 10 Oct 2011
For forward thinking architects – the 13th Venice Architecture Biennale is calling.
Matt Millikan 14 Oct 2011
In celebration of the Sydney Architecture Festival, we take a look at the top trends in the industry.
artsHub 10 Oct 2011
Expanded Architecture returns this year as part of the 2011 Sydney Architecture Festival.
artsHub 10 Oct 2011
Architecture on Show will see Professor Richard Goodwin deliver an insightful lecture.
artsHub 10 Oct 2011
The Sydney Architecture Festival aims to honour the city’s built marvels with a range of tours.
artsHub 6 Oct 2011
The Sydney Architecture Festival is looking at ways to improve the social housing in the future.
artsHub 6 Oct 2011
The road to becoming an architect is founded as much in lecture halls as it is in city streets.
artsHub 26 Sep 2011
The winners of the 27th Melbourne Fringe Furniture awards have been announced.
artsHub 16 Aug 2011
Sydney born designer Dion Lee is one of the most exciting in names in fashion.
artsHub 16 Aug 2011
South African born fashion designer Carl Kapp's pieces have become celebrity must-have items.