The many-skilled Anne Zahalka is this year completing the Sofitel Project Room offsite. Currently completing a residency at Bundanon, Zahalka is never far from the equipment through which her art is created.
Outstanding achievements in Australian classical music were celebrated on Monday evening at the 2008 Classical Music Awards, presented by APRA and the Australian Music Centre at The Playhouse, Sydney Opera House.
The shortlist for the 2008 Kit Denton Fellowship for courage and excellence in performance writing has been announced.
Having answered a nationwide call for participants, fifty aspiring filmmakers and actors teamed up to write, shoot and edit short films during 48-hour sessions from 14 – 19 July, each culminating in a screening and party.
The Melbourne International Film Festival's Industry Programs employ relationship-building techniques that would make a marriage counsellor envious. Mark Woods tells us about keeping the Festival in good company.
British composer Joby Talbot has written for instrumental ensembles of varying sizes, as well as choirs, pop groups, film, television and the occasional children's birthday party...
By Voiceworks
Ramyana Reeves' short story was first published in Voiceworks Magazine #73, Carnivale, available now.
By Georgia Keighery
There is a concept known in other parts of the world as “Indonesian Time”. I had heard this phrase many times, and with increasing frequency the closer I got to moving here to live for a year.
By Jan Nary
The August Moon, Queensland Theatre Company @ The Brisbane Festival (Brisbane)
By Gareth Beal
Reefer Madness!, A Squabbalogic Production - The Cleveland Street Theatre (Sydney)
By David Allen
Bob and Bridgette - The Butterfly Club (Melbourne)
By Boris Kelly
Scorched, A Company B Production @ The Belvoir Street Theatre (Sydney)
Performance Space
Eveleigh
, New South Wales
An international contemporary arts centre producing and presenting contemporary arts that explore the intersections between performance, visual cultures, new media and sound ...
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